Fireworks used to have packaging that pops

The old-style Chinese graphic designs on fireworks were part of our very American celebration.

July 1, 2016 at 4:03PM
Black cat fireworks cutline here about black cat (The Minnesota Star Tribune)

Any kid could have told you: Black Cat firecrackers were the best back when I was growing up. Loud and not a dud in the pack. They put a smile on your face and a ringing in your ear. Lucky was the kid with a brick of Cats on the 4th. But were they really better? Or did we just love the label?

It's truly iconic. The wide-eyed, fang-baring feline looks threatening, which adds to the allure. "Go ahead! Light me! Run! See how far you'll get! Hahahahaha!" If ever there's an odd name for an exploding amusement, it's Black Cat, a symbol of bad luck.

In the West, that is. The Black Cat is a symbol of good luck in Chinese culture, and if nothing else its creation was propitious for its owner, Li & Fung. The company — a small export concern that runs a global supply-chain management company today — introduced the Black Cat to America in the 1940s, and ever since then the picture of an angry screaming house pet has said "It's the Fourth of July." (Or, "I've been to Wisconsin.")

The famous label, however, was just one of hundreds we've seen stacked in fireworks shacks and stands. Few have had the Cat's impact, but they all shared the same style: Early Underpaid Chinese Illustrator.

Fireworks used to be sold in wooden boxes with elegant labels. The fun stuff was wrapped in paper — red, of course, just like today. Then some lithograph-machine salesman realized China might be a good customer, and when the machines arrived in the early days of the 20th century, manufacturers began to stick labels on the little bricks. Cheaper than a wood box, but also a new opportunity to distinguish your product from the other guy. Since firecrackers are the same no matter who makes them — they go bang — a canny capitalist could brand his product with a unique picture that set it apart. And thus: Black Cat.

And others. The labels stood out for their peculiar graphics. Everything about the art was slightly off, at least when compared with the slick production of American goods. The drawings were often crude; the mythological references were lost on Yanks; the lettering looked as if someone was painting a word without knowing what it meant. If a label depicted a rocket, it was a strange thing from a Warsaw Pact comic book.

Things got even weirder when the factories of Macau started reacting to the early days of TV, with its cowboy shows and rerun Western movies: Now the firecrackers had yee-haw motifs. So you had Chinese illustrators drawing pictures of Texas Rangers for fireworks blown up by kids in, well, Texas. True global culture, in a way.

Fireworks label design seemed forever stuck in 1959. If you grew up in the '60s, the graphics on your brick of ladyfingers or bottle rockets had the old Communist-flavored bygone style.

We didn't complain: This was what they were supposed to look like. They were authentic. Even after China and the United States started trading after the Nixon thaw, the labels didn't change much. Sometimes the designers went groovy, emulating the lettering styles of the counterculture with peculiar results — say, Haight-Ashbury-style melted letters for Commando! brand. But for the most part the labels stayed stuck in a style that grew up without any guidelines or rules.

Then came the worst thing to ever happen to fireworks: computer graphics.

You've seen the assortments — mostly cones and smaller cones and medium cones, and also a large cone. Thirty bucks. Names like "Mr. Crackle" or "Blazing Rebel." "Silver Snow," you know what that does. But they're hardly as evocative as "Thousand Birds of Spring" or "Song of Canary" or the other poetic appellations you'd see on an old fountain. The graphics are just as bad as the old Chinese pictures, but without the earnest charm.

No, they're worse. Modern fireworks labels are based on three principles:

1. Find some strange combination of words, like Patriot Tension, or some wildly inappropriate idea like Stolen Christmas, or something that goes with a bosomy model, like Blonde Joke.

2. Use every single filter and gradient effect possible in the graphics design program Illustrator.

3 Run the result past a 14-year-old boy, and if he says "Awesome!" you're in business.

Some of us actually care about fireworks graphics. In fact, there are also lots of middle-aged folk who'd love to see the old Chinese style come back again. "Hen Laying Egg" is still on the market, and it looks the same as it always did. When my dad brought those out, we kids always remembered and cheered "Hen Laying Egg!" even though we hadn't seen them for a year. But there was something about the box that was different from everything else. It was something that said July 4th. Something that said America!

And that something was China.

James Lileks • 612-673-7858

@Lileks


(The Minnesota Star Tribune)
(The Minnesota Star Tribune)
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about the writer

James Lileks

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James Lileks is a Star Tribune columnist.

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