Fans love Frampton's way, with guitar, at State Theatre

The 1970s guitar hero played a generous set of 23 songs in 2 1/2 hours.

July 14, 2016 at 8:22PM
(The Minnesota Star Tribune)
(The Minnesota Star Tribune)

A few thoughts about Peter Frampton's concert Wednesday night at the packed State Theatre in Minneapolis:

  1. Before the lights went dark, a recorded message from Frampton was played, telling fans to limit their photo and video taking to the first three songs – and thereafter no use of cellphones, not even for texting. Ushers actively enforced the policy during the rest of the evening.
    1. Frampton played a generous 2 1/2 hour set, which included an overlong five-song acoustic segment plus covers of Buddy Holly, Soundgarden and numbers associated with two of Frampton's late pals, David Bowie's "Rebel Rebel" and George Harrison's "While My Guitar Gently Weeps." He said not a word about Bowie, his old school mate, but told a story about Harrison, including doing a vocal impression of the late Beatle.
      1. The cheery Frampton was chatty between songs, trying to be witty with a hint of sarcasm. However, as a guitarist, it was not about entertaining. It was about the music, with Frampton often facing his sidemen not the audience as he delivered fresh, largely improvised solos. He was clearly trying to communicate with his players – and let the fans come along for the ride.
        1. The guitarist's tone, technique and versatility were impressive. In the course of the evening, he played everything from flamenco and blues to jazz-rock fusion and hard rock. Frampton may not be the most emotional or soulful guitarist but he's a master at building a solo to elevate the song.
          1. Frampton's guitar playing was more remarkable than his singing or songwriting. In fact, his guitar work could redeem a lesser song like "I Wanna Go to the Sun."
            1. He knows how to connect with his fans, whether by using a talk box on his big hits like "Do You Feel Like We Do," throwing in an eloquent instrumental version of "Black Hole Sun" or getting couples to slow dance to "Baby I Love Your Way."
              1. Frampton's four-man backup band featured two Minnesotans – keyboardist Rob Arthur, who has toured with Frampton for 11 years, and bass man Paul Peterson, whom Frampton called "one of the finest bassists ever." The way Frampton interacted with his bandmates was alluring in a jazz ensemble sort of way. You could tell the bandleader was getting off while exchanging licks with guitarist Adam Lester or keyboardist Arthur.
                1. The 66-year-old British hero was clearly in great spirits. He delivered 23 songs, compared to 18 numbers the night before in Mankato.
                  1. Highlights included the guitar-hero moment of "Black Hole Sun," the hard-driving "Baby, I Love Your Way" and the encore of the deeply felt "While My Guitar Gently Weeps."
                    1. In case you weren't aware, Frampton no longer has the fluffy curls that were his signature in his 1976 heyday. He joked about that. Judging by the enthusiasm of the 40- and 50-something women in the audience, it didn't matter. They still love his way – with a guitar.
                      about the writer

                      about the writer

                      Jon Bream

                      Critic / Reporter

                      Jon Bream has been a music critic at the Star Tribune since 1975, making him the longest tenured pop critic at a U.S. daily newspaper. He has attended more than 8,000 concerts and written four books (on Prince, Led Zeppelin, Neil Diamond and Bob Dylan). Thus far, he has ignored readers’ suggestions that he take a music-appreciation class.

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