Dr. Robert Fisch was not always so forward in discussing his experience during the Holocaust.
"The Holocaust was never an 'issue.' It was a personal matter," he said. "If someone was close to me, I would talk about it."
Over the years, however, Fisch, 84, has become more public. He has spoken in the United States and abroad in support of his literature, which began with his first book, "Light From the Yellow Star," in 1994. His latest project, "The Value of One Life," is an exhibition at the Minnesota Historical Society.
The show, which Fisch and the society began developing last year, presents intimate biographies of eight Minnesotans who have transcended great moments of struggle. While the project initially was intended to be framed around Fisch's story, he opted for a more diverse collection of voices.
"The first thought we had was, 'What do you do after you've gone through hell?'" he said. "We all go through hardships, so how do you live with it?"
Fisch's story alone is remarkable. He and his father were taken to work camps in March 1944 after German forces invaded his native Budapest, Hungary. This was barely after his high school graduation. He returned home after the war, attended medical school and later participated in the Hungarian uprising against Communist forces in 1956. He has been in the United States since 1957.
"I will never forget that feeling," he said of stepping off the airplane in the Twin Cities. "The first thing I felt was that I was scared to death. The second thing was that it was very exciting."
Now retired from his pediatric work at the University of Minnesota, Fisch occupies much of his time in his Minneapolis high-rise, where he focuses on his personal passion -- painting. It is an interest made evident by the personal pieces hung on his condominium walls or his remarkably youthful hands, which he uses so deliberately in conversation. It also reiterates his eye for aesthetic decisions, which was a key point in the exhibit's evolution. The presentation is decidedly sparse. Each subject's story occupies two wall-length banners and is accompanied by a single black-and-white portrait, by St. Paul photographer Petronella Ytsma.