Long fascinated with bird and animal communication, California composer Hugh Livingston thinks quite a bit about the "acoustic niche theory" — the idea that birds, insects and animals communicate with distinctive rhythms and timbres which vary according to their unique habitats.
For example, he said, city birds sing at a different pitch than country birds so that they can be heard over the noise pollution.
His main question: "How do I compose something that also interlocks?"
"What I'm interested in," he said, "is that empty space, what's left over, so that I'm not drowning out the birds."
Livingston has been busy at Caponi Art Park in Eagan, recording sounds, rehearsing and studying the landscape in preparation for his upcoming July 7 performance.
During the event, audience members will stroll through an outdoor soundscape, which will combine music from members of St. Paul's Zeitgeist quartet, Livingston's electronic compositions and the sounds of nature.
Livingston feels the park provides the perfect setting: meandering paths for a roaming audience, little clearings for a clarinetist or a marimba or toy piano player, rolling terrain for "bouncing sounds off the hillsides."
"It's quite varied in terms of really wild woods and nicely manicured outdoor areas," he said. "One of the things I often look for are, what are the unexpected parts of the landscape. There are plenty of trails where you turn a corner and a vista emerges."