Did hip-hop seize its opportunity at the Super Bowl halftime?

Review: Mary J. Blige, Eminem, Snoop, Dr. Dre and Kendrick Lamar threw down in the first all-hip-hop halftime.

February 14, 2022 at 4:10AM
Mary J. Blige performs at the halftime show in Super Bowl LVI (Doug Benc, Associated Press/The Minnesota Star Tribune)

"You only get one shot, do not miss your chance to blow. This opportunity comes once in a lifetime," Eminem reminded the world during Sunday's Super Bowl LVI.

"Would you capture it, or let it slip away?" he rapped in "Lose Yourself," his hyper-urgent anthem from 2002.

Halftime at the Super Bowl, billed as the year's biggest musical moment, offered a once-in-a-lifetime opportunity for hip-hop.

While it's America's most popular musical genre (28% market share at the moment), hip-hop has played no more than a bit role at TV's most dominant event. (Rappers Queen Latifah, Nelly, P. Diddy, Travis Scott and Missy Elliott have all made cameos in previous years.)

Hip-hop starring at halftime is as rare as two Black head coaches on the Super Bowl sidelines — something that's happened just once (in 2007). But on Sunday, hip-hop took over the field for the very first time.

The A-list lineup was smartly chosen by rap mogul Jay Z, whose Roc Nation produced the halftime show:

Dr. Dre, 56, godfather of West Coast hip-hop; Snoop Dogg, 50, the comical prince of pot who somehow became Martha Stewart's bestie; Mary J. Blige, 51, the queen of hip-hop soul; Eminem, 49, the bestseller who took hip-hop to the mainstream; Kendrick Lamar, 34, today's premier rapper and the only hip-hop artist to receive a Pulitzer Prize, and unadvertised guest 50 Cent, 46, the early-'00s hip-hop hero turned actor.

Despite special moments, the nearly 14-minute show lacked the extravagant choreography and the visual pizazz of other recent Super Bowl intermissions. Most of all, it begged for a focal point. With an ensemble cast, the spotlight was a revolving door, though Dr. Dre was the thread since he produced or co-wrote nearly every number in this seamless medley.

The show opened with a closeup of Dre's fingers on the mixing board before he launched into his 2000 hit "The Next Episode" with Snoop.

An imaginative staging accommodated the frequent churn. The set suggested a Compton streetscape, with performers popping up on the roof and inside a series of five rooms — including the devalued and beefy 50 Cent, who started his surprise appearance hanging upside-down from the ceiling as he murmured his way through 2003's "In Da Club."

Blige commanded the rooftop, pouring her heart into a pair of 2001 hits, "Family Affair" and the uber-emotional "No More Drama."

Lamar then took control on the field, performing his 2015 protest anthem "Alright" (with sanitized lyrics), surrounded by a phalanx of male dancers with gray hair and sashes declaring "Dre Day."

Eminem, with a live band including drummer Anderson .Paak, exhorted with uncompromising force on "Lose Yourself." At song's end, the halftime's lone white performer took a knee, like many football players have done in protest, in solidarity with the Black community.

Joined on the rooftop by all the hip-hop heroes, Dre — the L.A. producer extraordinaire and now billionaire behind Beats by Dre headphones — wrapped the show with 1999's "Still D.R.E.," a song about how hip-hop has changed but he still has love for the streets of 213, his hometown of Los Angeles. As an ending, it felt more like a self-aggrandizing whirl than the usual halftime wow.

So who was the musical winner of Super Bowl LVI? It was another Black performer, National Anthem singer Mickey Guyton.

A multiple Grammy nominee who has been on the verge of country stardom for a couple of years, she hit her high notes, elongated key words and eventually took "The Star-Spangled Banner" to church. Guyton did country music — and her own country — proud.

about the writer

about the writer

Jon Bream

Critic / Reporter

Jon Bream has been a music critic at the Star Tribune since 1975, making him the longest tenured pop critic at a U.S. daily newspaper. He has attended more than 8,000 concerts and written four books (on Prince, Led Zeppelin, Neil Diamond and Bob Dylan). Thus far, he has ignored readers’ suggestions that he take a music-appreciation class.

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