Disneyland Paris touts spectacular nighttime show using Paris Games laser technology

CHESSY, France — A cutting-edge nighttime show at Disneyland Paris featuring lasers used at the Paris Games is heralding a bold new chapter for Europe's most-visited theme park, as a raft of ambitious developments comes to fruition under a 2 billion euro ($2.05 billion) expansion plan.

The overhaul includes the completed revamp of the luxury Disneyland Hotel, the upcoming renaming and doubling in size of Walt Disney Studios Park, and the much-anticipated arrival of The World of Frozen and a first-of-its-kind The Lion King land — cementing the resort's gains after the wilderness years for theme parks during the pandemic.

Disney Tales of Magic

Disney Tales of Magic, an immersive 20-minute spectacle blending mind-boggling drones, synchronized fountains, high-definition projections and ultra-bright lasers, was unveiled this month, wowing crowds.

The show's standout feature — ultra-bright lasers — has been used only once before, at the Paris 2024 Olympics at the Eiffel Tower during the iconic opening ceremony featuring a performance by Celine Dion. The lasers, which travel 23 miles (37 kilometers), deliver extraordinary power while remaining safe near crowds.

''The Paris Olympics used it first. But we saw it first,'' said Dana Harrel, executive entertainment director at Disneyland Paris.

Featuring Disney and Pixar tales brought to life amid drone-made 3D figures dazzling the night sky, synchronized fountains and a 100-piece orchestra, the show is elevated further by the original anthem ''Live in Magic.''

''For the very first time, not only will we be projecting onto Sleeping Beauty's Castle, but also Main Street USA,'' said Tim Lutkin, artistic director of the production, referring to the park's main commercial artery lined with boutiques and merchandise.

The spectacle also reflects Disney's storytelling evolution. Lutkin noted the shift from classic ballgown tales to modern narratives like ''Encanto'' and ''Inside Out 2,'' which delve into deeper themes such as anxiety and depression. The level of the latter's box office success, Lutkin said, ''was a big surprise for everybody."

It was "an indicator the world and its relationship with Disney are ready to embrace more complex stories.''

This shift is mirrored in the show's selection of movies, spanning Disney's timeless classics and emotionally resonant modern hits.

Disney Adventure World

''These projects reflect our commitment to innovation and storytelling,'' said Natacha Rafalski, head of Disneyland Paris, adding that they will further strengthen it as Europe's top tourist destination.

Already Europe's most-visited theme park and France's top tourist attraction outdrawing the Louvre, Disneyland Paris welcomed over 10 million visitors in 2023.

The expansion includes two eagerly awaited themed lands. The World of Frozen, debuting in 2026, will transport guests to Arendelle with a central lake hosting water performances and the Frozen Ever After boat ride, alongside themed dining, shopping, and accommodations. Meanwhile, The Lion King land will bring the Pride Lands to life with a log flume cascading from Pride Rock and encounters with beloved characters like Simba and Timon.

Life after the pandemic

The COVID-19 pandemic delivered one the toughest challenges to Disneyland Paris, as with all resort parks around the world, forcing an eight-month closure in 2020 and another in 2021.

The ongoing €2 billion expansion is part of a $60 billion global investment announced in September 2023, aiming to redefine Disney parks, cruises and attractions over the next decade.

A centerpiece of the Paris overhaul is the revamped Disneyland Hotel, with suites themed around classic Disney royalty.

Birth and evolution

Disneyland Paris opened in 1992 under its original name, Euro Disney Resort. Situated just outside Paris in Marne-la-Vallée, it marked Disney's first foray into Europe. However, the park's early years were fraught with challenges, including cultural missteps, financial struggles and lower-than-expected visitor numbers. Critics in France derided it as an American cultural invasion, dubbing it a ''cultural Chernobyl.''