Comic books: 'Superheroes' lauds a truly dynamic duo

Joe Simon and Jack Kirby's lesser-known characters get star treatment.

December 16, 2010 at 10:15PM
"Superheroes"
"Superheroes" (Star Tribune/The Minnesota Star Tribune)

Titan Books has released the second volume in its library of comics by the team of Joe Simon and Jack Kirby. It's like finding the Rosetta stone of superhero comics.

Simon and Kirby were the rock stars of the early comic-book industry. They created Captain America and at least two genres (romance comics and kid-gang comics), and mastered all the rest. They were the first creators to get their names on covers as a selling point, and most of their work still holds up.

The first volume in the Simon and Kirby Library was an overview. Now comes "The Simon & Kirby Superheroes" ($50).

"Superheroes" doesn't contain Simon and Kirby's best-known superhero work, which is still owned by major publishers who jealously guard those valuable trademarks. So you won't see Sandman (DC Comics) or Captain America (Marvel).

Instead, "Superheroes" contains runs of the pair's characters whose series were cut short by the industry's notorious boom-and-bust cycle, or failed for other reasons -- but not poor quality:

Black Owl (1940-41): A rare Simon and Kirby series without much humor, as Black Owl (whose silhouette resembles a certain Dark Knight's) was positively grim.

Stuntman (1946): A former circus aerialist uses his athleticism as a secret stuntman for movie star Don Dashing and as a masked crime fighter.

Vagabond Prince (1947): A greeting-card writer discovers he owns the east side of Esten City (New York) due to an ancestor's deal with American Indians and protects its downtrodden citizens from crooks and greedy capitalists alike.

Captain 3-D (1953): It was a fad then, too, and Simon and Kirby had fun with it.

Fighting American (1953-66): As McCarthyism gained steam in the 1950s, he became a deliberate satire of the country's worst paranoid fears.

Double Life of Private Strong (1959): This played on the common (and erroneous) belief in the '50s that humans could use only one-tenth of their brains, whereas Private Strong could use all of his.

Fly (1959): The Fly anticipated the modern Green Lantern with a magic ring from an alien. The Fly's insect-themed powers also anticipated Spider-Man, and since Kirby had a hand in Peter Parker, as well, there is still a dispute about how much the Wall-Crawler owes to his predecessor.

In summary, "Superheroes" allows the reader to trace not just the evolution of these powerhouse talents over decades, but also the maturation of the industry itself through these secondary characters. Simply put, "Simon & Kirby Superheroes" fills in the blanks in the history of pop culture you didn't even know were there.

about the writer

about the writer

ANDREW A. SMITH, Scripps Howard News Service