"Classical without borders."
That's the category in which Germany's prestigious Opus Klassik Awards bestowed an honor upon South African cellist Abel Selaocoe on Sunday night in Berlin for his debut album, "Where Is Home (Hae Ke Kae)." And it seems as good an appellation as any for an artist who intersperses four centuries of classical cello works with original music firmly rooted in the musical traditions of his native country.
"As a child, our traditional music and church music always had a strong influence in how we lived our lives," Selaocoe said last week from his home in Manchester, England. "When classical music and the cello arrived in my life, I was already keen to express those influences onto the instruments."
So if you experience one of this week's St. Paul Chamber Orchestra concerts, don't be surprised to find this SPCO artistic partner plucking out a rhythm and strumming his cello while singing in the Sesotho language of his homeland.
"Anytime I pick up my instrument, it feels like a constant aspiration to emulate that power the voice can have," Selaocoe said.
And Selaocoe's voice carries a lot of power, judging from his past performances with the SPCO. He can passionately soar into the highest range of his vocal register before plummeting into a rumbling bass, employing an overtone singing technique from the Xhosa culture called umngqokolo.
"I think what inspires me is deeply embedded in my culture, but it always has universal traits," he said.
Yet if you came for classical, Selaocoe and the SPCO will provide that, too, finding commonality between African and European traditions. This Thursday through Saturday at the Ordway Concert Hall, Selaocoe's original works will share space on the program with 18th-century works by Joseph Haydn and Luigi Boccherini and a piece by contemporary Bulgarian composer Dobrinka Tabakova.