Burnsville is about to embark upon a $20 million experiment: Can a publicly funded suburban arts center fill enough seats, and generate enough economic activity, to justify the cost?
With the Burnsville Performing Arts Center opening this week, workers are rushing to wrap up the finishing touches. Residents are streaming in to buy tickets. From her fourth-floor condo across the street, the mayor who staked her political career on the project has watched as the city's "crown jewel" has risen from the ground up. And naysayers, who have claimed all along that the center is a boondoggle, are watching just as intently.
The center brings a venue to the southern suburbs that can offer national and regional performers and productions and save area residents the drive into the core cities. So far, the returns are promising, with tickets for some early shows snapped up.
Comedian Bill Engvall's show Jan. 30 is nearly sold out at $49.75 a ticket, and few tickets remain for the free "Talents of Burnsville" showcase on Wednesday.
"It's great," said Burnsville resident Sam Dalal, who was buying tickets last week. "Since we don't have to drive so far, it helps with the fuel costs."
The key to the viability of the center -- and perhaps of the fledgling Heart of the City redevelopment that it anchors -- will be whether it can keep drawing crowds after the grand opening excitement dies down.
"This is the beginning," said Ann Markusen, director of the Arts Economy Initiative at the Humphrey Institute of Public Affairs at the U of M. "Everybody is going to be excited in the first round, but the question is sustainability. Will people come back again and again?"
It's not only shows that will generate revenues for the center, which is managed by an Iowa firm, VenuWorks. It will operate day and night, with meetings, seminars, parties and, this fall, a magnet school.