The burger: I'll admit that it was a tad disconcerting to step through the door at 337 13th Av. NE. and not find myself inside the Modern Cafe.
I suppose my change-resistant self was half-hoping for a preserved-in-amber situation, where nothing so much as a linoleum tile would have been altered during the 10 or so months since Jim and Patty Grell turned out the lights on their northeast Minneapolis landmark.
But the only constant in life is change, right? So, to the Sheridan Room, I say, welcome to the (Sheridan) neighborhood, and best wishes for a long and happy existence.
And I won't begrudge the alterations that have been made to the dining room. After all, during the Modern's remarkable 20-year run, the Grells certainly tweaked the 1940s cafe formerly known as Rabatin's, and I'm sure that Rabatin's fans forgave the couple for their seemingly sacreligious ways. And it's not as if new owners Jon and Jarrett Oulman don't have an admirable track record when it comes to the stewardship of beloved properties; the father-and-son team buffed a high shine on the historic pavilion in St. Paul's Como Park last summer when they took over the former Black Bear Crossings and re-christened it Como Dockside.
With all that in mind, I took a deep breath, closed my eyes for a moment and let go.
The Oulmans have, pardon the expression, modernized the place. The floor is now outfitted in handsome white-with-black-accents hexagonal tile, several walls have been sheathed in enough classic white subway tile to outfit the kitchen backsplashes of an entire suburban subdivision, and the all-black ceiling is styled to resemble a classic tin pattern. Amid all that black-and-white crispness, the Modern's chalkboard menus remain, as does the bar's placement, and the dining room has been cordoned off into a series of conversation-friendly booths that bear a distinctly Modern-esque (and Rabatin's-like) vibe.
The tiny kitchen didn't go anywhere, and it's the dominion of a familiar face. She's Ella Wesenberg, and if that names rings a bell, it should: she was the Modern's final chef, and it's a treat to discover her back in familiar territory.
Wesenberg has an intrinsic understanding of the underpinnings of classic American fare, and that knowledge base is certainly evident in her spectacular mushroom-topped cheeseburger.