Tasha Hardy has watched only five or six episodes of "Star Trek," but the Minneapolis native says she knows the difference between a Trekker and a Trekkie. "'Trekkie' is when you're completely immersed in it," she explained. "'Trekker' is when you're on the outskirts, like, 'This is a cool show, but I'm not a total nerd.'"
Of course, threatening to cause a major rift in the space-time continuum, wouldn't only a total nerd know to make that distinction?
"Exactly!" she said with a laugh. "Oh. I just got myself there, right?"
Hardy, 34, might not be sure of her "Star Trek" fan status, but she certainly knows what goes into the making of the cult sci-fi show. The producer and writer, who moved to Los Angeles from the Twin Cities eight years ago, co-produced the Internet series "Star Trek: New Voyages." The hourlong episode on which she worked, "World Enough and Time," helped the show win a recent TV Guide Award for best sci-fi Web series.
This comes at a time when the protracted writers' strike has made reruns and reality programming the primary fodder of prime-time television. Webisodes appeal to viewers looking for something fresh. "New Voyages" has received close to 1 million downloads for each of its three episodes -- five more are in the works -- from YouTube and its website (www.startreknew voyages.com).
The remarkable thing is that "New Voyages" is produced by fans, not a studio. When it won the TV Guide award, it beat out studio-produced webisodes such as "Battlestar Galactica" and "The 4400."
The show originated with super-Trekkie James Cawley, a professional Elvis impersonator from upstate New York who once spent a year playing the King at a Minnesota casino. He spent thousands of his own dollars building an authentic full-size replica of the Enterprise bridge, and the show grew from there.
"New Voyages" even has the blessing of Paramount, the studio behind "Star Trek" -- as long as the fan-produced show doesn't make money. That's where Hardy came in. "World Enough and Time" would have cost $1.5 million to make, including its good-looking special effects, but she helped get it done for about $50,000.