Thursday, March 7
1. Otoboke Beaver: There’s been a lot of talk in America of late about this Japanese noise-rock band. With song titles like “Dirty Old Fart Is Waiting for My Reaction” and “I Am Not Maternal” — plus a wild blast-attack sound that’s like a cross between Death Grips, early B-52′s and a building implosion — it’s easy to understand the fascination. The quartet from Kyoto got a leg up from Coachella, South by Southwest and mentors Shonen Knife leading into last year’s release of their first major U.S. album, “Super Champion.” Should be super fun. South Korean trio Drinking Boys & Girls Choir and local noisemakers Scrunchies open. (8 p.m. First Avenue, 701 1st Av. N., Mpls., $25, axs.com)
2. Beth Orton: The veteran British folktronica singer/guitarist wrote her latest album, 2022′s “Weather Alive,” on an old upright piano she bought at London’s Camden Market. Despite the new instrument, her first album since 2016 is equally hushed and haunting as she sings about relationships, memories and nature in an unmistakably Ortonesque way. In support of her eighth full-length, Orton opens a brief nine-concert U.S. tour in Minneapolis. (7:30 p.m. Parkway Theater, 4814 Chicago Av. S., Mpls., $44-$59, theparkwaytheater.com)
Also: California Celtic rockers Gaelic Storm, who performed as the steerage band in the movie “Titanic,” return with the High Kings (7:30 p.m., Pantages Theatre, $49-$89); Southeastern U.S. psychedelic Americana rock bands Futurebirds and the Nude Party should make a great pairing (7:30 p.m. Fine Line, $25-$45); local surf-rockers the Black Widows kick off their “Greatest Show Ever” residency series with burlesque dancers, games and music (7:30 p.m. Hook & Ladder Mission Room, $10-$15); Alan Sparhawk and Al Church’s acidic funk band Derecho Rhythm Section is back at Icehouse (8 p.m., $12-$22).
Friday, March 8
3. Jenny Lewis: After opening for Harry Styles and touring with the Postal Service, the indie darling has returned to the road for the second leg of her tour promoting 2023′s “Joy’All.” On her fifth solo album, Lewis accepts herself as middle-aged and single with a mix of resignation and pride. “My forties are kicking my ass, and handing them to me in a margarita glass,” she sings in “Puppy and a Truck.” She knows how to turn a clever phrase. “I’m not a psycho/I’m just trying to get laid,” she declares in “Psychos.” With help of Nashville producer Dave Cobb (Brandi Carlile, Chris Stapleton), Lewis coats the charming “Joy’All” with an appealing country-pop sheen. (8 p.m. Palace Theatre, 17 W. 7th Place, St. Paul, $45-$70, axs.com)
4. Minnesota Orchestra: The New York Times named South Korean conductor Eun Sun Kim a 2021 “breakout star in classical music,” the year she became music director of the San Francisco Opera. She’s making her debut with many of the world’s great orchestras this season (such as the philharmonics of Berlin and New York), and now she’ll lead the Minnesota Orchestra in Peter Tchaikovsky’s Fifth Symphony, a new work by Texu Kim and Arnold Schoenberg’s “Erwartung,” featuring soprano Heidi Melton, speaking of breakout stars. (8 p.m. Fri. & 7 p.m. Sat. Orchestra Hall, 1111 Nicollet Mall, Mpls., $31-$111, minnesotaorchestra.org)
Also: Los Angeles’ perennially hyped throwback rock band Cherry Glazerr is out touting its fourth album, “I Don’t Want You Anymore” (7 p.m. Fine Line, $29); fresh off receiving a BBC Lifetime Achievement Award on their 30th anniversary, Ireland’s Celtic folk vets Dervish are touring America ahead of America’s favorite Irish holiday (8 p.m. Parkway Theater, $39-$59). Twin Cities Americana/folk mainstay Chastity Brown is playing two sets in one night at the Dakota (6:30 & 8:30 p.m., $25-$35); Florida pop/punkers the Dollyrots are touring for their new album, “Night Owls,” with Gym Shorts and local screamers Surly Grrly (8:30 p.m. Uptown VFW, $20-$25); time has come for a a tribute show to celebrate ‘00s artists Sara Bareilles, Ingrid Michaelson and Regina Spektor with local singers Leslie Vincent, Emily Dussault and Elena Glass (6:30 p.m. Crooners, $25-$35); fun and manic rockers Loser Magnet return to White Squirrel Bar (8 p.m., free).
Saturday, March 9
5. Minnesota Opera: Those who have seen the film “Maestro” have likely concluded that Leonard Bernstein’s marriage wasn’t entirely happy, and that might be reflected in his 1952 one-act opera, “Trouble in Tahiti,” about a conflicted suburban couple. Minnesota Opera pairs it with something far funnier: Christopher Weiss and John de los Santos’ “Service Provider” takes us to an anniversary dinner that’s disrupted by infidelity and bad cellphone etiquette. (7:30 p.m. Sat., 2 p.m. Sun., 7:30 p.m. Tue., through March 23,; Luminary Arts Center, 700 N. 1st St., Mpls., $75-$85, mnopera.org)
6. Black Joe Lewis & the Honeybears: It’s a good thing the Turf Club’s floor was reinforced in its First Ave-funded makeover, because things always get dangerously funky when these Texas blues rockers hit town. They first busted out of Austin 15 years ago with their hard-blasting party starter “Sugarfoot,” and they’ve only tightened up over the tens of thousands miles put in on the road since then. Lewis leans more into his guitar and gritty blues influences nowadays, too. Opener Shane Guerrette is a New York bluesman who’s enjoyed some heavy viral traction. (9 p.m. Turf Club, 1601 University Av. W., St. Paul, $22-$25, axs.com)