Sounding the call
Even though he makes instrumental music, Grammy-winning jazz trumpeter Terence Blanchard likes to be topical. His 2007 album, "A Tale of God's Will," was about Hurricane Katrina; 2015's "Breathless" was sparked by Eric Garner's death at the hands of New York police. Now he's recording a project inspired by Black Lives Matter, going to three cities that saw shootings by police officers. Because of the Philando Castile incident in Falcon Heights, Blanchard will record with his new quintet, the E-Collective, live in front of an audience in the Twin Cities.JON BREAM
7 p.m. Mon.-Tue. Dakota Jazz Club, Mpls. $40-$50, dakotacooks.com
What did Dan Wilson do before he wrote hits for Adele and the Dixie Chicks? What did John Munson do before he crooned and cracked wise with New Standards? They teamed up in the 1990s pop trio Semisonic, which enjoyed radio success with "Secret Smile" and "Closing Time." Drummer Jacob Slichter also distinguished himself post-Semisonic with a well-told rock memoir. Never officially disbanded, Semisonic reunites once again — for two nights.
JON BREAM
8 p.m. Thu. Turf Club, St. Paul; 9 p.m. Sat. First Avenue, Mpls. Both sold out.
Director Michael Brindisi has sprinkled fairy dust on a beautiful, old-fashioned revival of Lerner and Loewe's "Camelot." He gets some magical performances from his love-triangle cast: the magnetic Keith Rice as idealistic Arthur, effervescent Helen Anker as love-torn Guenevere and charismatic Aleks Knezevich as muscle-bound Lancelot. This show reminds us that fairy tales can have social value, and not serve merely as escapist fantasies.
ROHAN PRESTON
Ends Feb. 25 Chanhassen Dinner Theatres. $45-$85, chanhassendt.com