Spam, Spam, Spam, Spam
"Spamtown, USA" is like "Romeo and Juliet" in a company town on the Minnesota prairie. In Philip Dawkins' crackling drama, the romance between two teenagers is doomed, and not simply because their families represent the warring sides during a bitter labor strike. Drawing inspiration from the 1985 Hormel strike in Austin, Minn., Dawkins' coming-of-age tale adds a child's eye view of the events. It's a propulsive and witty telling of the conflict, which is mostly in the background for the kids until it comes to dominate their lives. Rohan Preston
2 & 5 p.m. Sun., 7 p.m. Thu.-Fri., 11 a.m. & 2 p.m. Sat. Ends April 5. Children's Theatre Company, 2400 3rd Av. S., Mpls. $15-$71, childrenstheatre.org.
Like their fellow late-'70s U.K. rockers the Buzzcocks, the post-punk innovators in Wire grew in influence over the decades since their revered 1977 debut "Pink Flag." R.E.M. and the Cure, in particular, cited them. But then they actually put out some of the best music of their career after re-forming for the new millennium. Their latest, "Mind Hive," follows a stream of 2010-era albums with edgy synth-rock and topically nihilistic themes that fit right in with the times and feature three original members.
CHRIS RIEMENSCHNEIDER
8 p.m. Tue. Fine Line, Mpls. $25-$40, etix.com.
Even though Ladysmith Black Mambazo founder Joseph Shabalala died in February, the 60-year-old a cappella choir from South Africa carries on, featuring four of his sons as well as one singer who joined in 1969. Best known for contributing to Paul Simon's "Graceland," the Grammy-winning nine-man ensemble is a breathtaking combination of musicality and physicality, humor and humanity, joy and grace.
Jon BReam
8 p.m. Sun. Fitzgerald Theater, St. Paul. $29.50-$49.50, etix.com.