Cross over
"The Hip Hop Nutcracker" was such a hit at the Ordway the past two years that it has graduated to a bigger space, the State Theatre. The touring show serves up a compelling mash-up of rap, classical, ballet and break dancing along with the classic E.T.A. Hoffmann story. Set in 1980s Brooklyn, the show is emceed by Kurtis Blow, the pioneering rapper who scored with "Christmas Rappin' " in 1979 and followed the next year with the first gold rap record, "The Breaks."
SHEILA REGAN
7:30 p.m. Tue.-Wed. State Theatre, Mpls., $28.50-$68.50, hennepintheatretrust.org.
Eight years after Oasis imploded and three years after Beady Eyes broke up, Liam Gallagher has finally launched his proper solo career. The prickly British singer released "As You Were" this fall, an encouraging effort that's less retro-sounding, perhaps thanks to producer Greg Kurstin (Adele, Foo Fighters, Ellie Goulding). His live performances have been described as more emotional than those with Oasis, though it's been the songs of his old band, written by his big bro Noel, that stand out in concert.
JON BREAM
8 p.m. Mon. First Avenue, Mpls., sold out.
Director Peter Brosius gets "Dr. Seuss' How the Grinch Stole Christmas" exactly, who-liciously right. Credit Reed Sigmund, who gives the Grinch the aspect of a faded Shakespearean tragedian — more insane than mean. And Mabel Weismann is an absolutely worthy foe as the winsome Cindy-Lou. The choreography is jaunty, the effects dazzling and the costumes perfect. And there are some new songs.
cHRIS HEWITT