Best cello concerto ever?
Which is the greatest cello concerto? Dvorak's often gets the vote. Written toward the end of the composer's sojourn in America, a year after the New York premiere of his "New World" Symphony, it shares the symphony's epic reach, burnished orchestration and moments of melting lyricism. The Minnesota Orchestra performs the concerto with award-winning soloist Alisa Weilerstein. The program also features Sibelius' surging Fifth Symphony and "Gejia," a recent orchestral work by Osmo Vänskä's Finnish contemporary Kalevi Aho. (8 p.m. Fri. & Sat.; Orchestra Hall, Mpls.; $29-$96, 612-371-5656 or minnesotaorchestra.org)
Another cello
masterpiece
Where Dvorak's Cello Concerto bristles with self-assurance, Schumann's is markedly more tentative and introspective. The concerto was never performed in the composer's lifetime, but its achingly poetic qualities — "wholly ravishing, and what euphony and deep feeling" was his wife Clara's verdict — have gradually made it a staple of the cello literature. The St. Paul Chamber Orchestra pairs Schumann's masterpiece with Beethoven's ebullient Eighth Symphony, a work crackling with wit and explosive energy. (7:30 p.m. Thu., Trinity Lutheran Church, Stillwater; 8 p.m. Fri. & Sat., Ordway Concert Hall, St. Paul; $15-$53, 651-291-1144 or thespco.org)
Copland riffs on American songs
In his Old American Songs, Aaron Copland set traditional tunes — including "Long Time Ago," "At the River" and "Simple Gifts" — to wonderfully expressive piano accompaniments. Baritone Eric Broker sings a generous selection. The recital also includes Poulenc's delectable Trio for Oboe, Bassoon, and Piano in a version for two saxophones. (noon Thu., Landmark Center, St. Paul; free, schubert.org)
Wonders for solo violin