His first gig with Prince was in front of 90,000 at the Los Angeles Coliseum where the bikini-clad rocker was booed off the Rolling Stones stage. Things got better — and worse — for the 19-year-old gang-avoiding, fast-car-loving Minneapolis bassist.
Starting in 1981, Mark Brown — renamed BrownMark by the Purple One — spent six years with Prince, traveling the world in luxury, seeing all of his lines of dialogue cut out of the movie "Purple Rain" and literally having the stage lights go dark on him during later tours.
Brown was branching out, producing and managing the wild-boy Twin Cities funk-rock band Mazarati, which recorded "Kiss" before Prince pulled it back for himself. The bassist turned in his resignation but still did another tour with Prince & the Revolution in '86. Hoping to become a producer and songwriter, he signed with Motown, which envisioned him becoming a recording artist like his ex-boss.
Since mid-2016, Brown has been back with the Revolution, performing around the world. He was known as the quiet one in the band. But the 58-year-old speaks his mind in "My Life in the Purple Kingdom." We caught up with him while he was driving his friend's SUV from Atlanta, where he lives, to Los Angeles.
On why he wrote the book
Brown actually began the book about 14 or 15 years ago upon the advice of his psychiatrist at the time. "It's like my own therapy — cathartic," the musician said.
In 2014, Prince wanted to read the manuscript before Brown published it. "He was funny about anybody writing anything. But I let him know: 'The book ain't about you; you're in it because I was in your life,' " the bassist said.
So he waited until after Prince died in 2016 to look for a publisher.
On co-writer Cynthia M. Uhrich
Wanting to "make sure it read well," Brown turned to Uhrich, a St. Paul writer/producer/director, about three years ago. "She actually changed my voice in it, took on a bigger role than I wanted her to, turned it into almost like a female voice," he said. Brown then reworked the manuscript with editors at University of Minnesota Press.