"A b-girl be free, reigning supreme," sings local diva Desdamona on her fresh new CD "The Source." The song is "Triple Goddess," a multi-part tale of women whom you might call "b-girls." It's a story of creatively talented young women dealing with life -- some doing great, some struggling to get by -- but be it through a mic, a pen, a couple of turntables or a spray can, each holds her head high.
Such are the stories of the women involved with Intermedia Arts' third annual B-Girl Be festival. The summerlong exhibition of women in hip-hop kicks off this weekend with a four-day, roof-raising "summit." A multicultural congregation of some of the world's most talented hip-hop artists will gather in Minneapolis to take part.
Just don't be surprised to see them arriving on wheels sans flashy rims. Commercial rap music's requisite bling-flossin' exists in a world far removed from the realm of higher consciousness aimed at by the B-Girl Be.
B-Girl Be co-founder, co-curator and performer Desdamona may be the event's royal doyenne, but the summit is organized by a five-woman curatorial team and powered by a collective of individuals who want to deliver a positive message to the entire artistic community.
"Much of the U.S. and the world sees American hip-hop as associated with violence, drugs or oversexualization of women," says Theresa Sweetland, Intermedia Arts' artistic director and a B-Girl Be co-founder/curator. "Throughout the year we are working to support local female hip-hop artists and working in Twin Cities schools with the next generation to give them positive role models and perspectives on hip-hop.
"I wish B-Girl Be could bring mainstream attention to the real underground movement in hip-hop -- one that embraces activism, equality and raw talent coming from the street."
Traversing the various disciplines of hip-hop culture, B-Girl Be boasts a stellar lineup of local and visiting DJ and MC talent. In addition, b-girls from around the country will be break-dancing, acclaimed aerosol artists such as Puerto Rico's ZORI4 and New York City's legendary Lady Pink will create murals, and the whole she-bang will be woven together with interactive discussions, panels and workshops.
It's a vision that requires an estimated 10,000 hours of preparation by roughly 50 volunteers, says volunteer coordinator and Intermedia intern Shannon Turner. Laborious? Sure, but participants say it's the work that makes the whole thing pay off. Volunteers contribute in a multitude of ways to develop skills, share talents and enthusiasm and meet like-minded individuals.