BETHLEHEM, WEST BANK - For generations, the Holy Land Arts Museum has been selling carved olive-wood manger scenes to thousands of religious pilgrims looking for souvenirs from the biblical birthplace of Jesus Christ.
This year, the small Bethlehem shop decided that it was time to update the traditional Christmas scene.
Gone is the olive-wood shed shielding the baby Jesus, Mary and Joseph. In its place, looming over the angelic family, are an Israeli watchtower and three towering sections of an adjoining wall.
The modern day creche, said Holy Land Arts Museum manager Jack Giacaman, is a reminder that this holy Christian city remains largely isolated from the outside world by 25-foot-tall concrete walls, part of Israel's separation barrier.
"Bethlehem is like a small prison," Giacaman said. "Everywhere you look, there are walls."
Tourists are flocking to Bethlehem in growing numbers after years of violent conflict scared them off. But Israeli policies and the towering concrete walls outside Bethlehem prevent most residents from visiting nearby Jerusalem, although it's just 10 minutes up the road.
"Going to Jerusalem is like a dream," said Bethlehem resident Suha Asfour. "It's like going to New York."
This year, international artists have helped bring renewed attention to the walls surrounding Bethlehem. Led by a mysterious graffiti artist known as Banksy, painters from around the world converged on Bethlehem's Manger Square this month to set up "Santa's Ghetto," a temporary political art show and auction.