Lady Gaga scores monster sales

"Born This Way" is vapid, formulaic and just plain annoying, but with 1.1 million records sold in its first week, it's the biggest-selling debut since 2005.

June 1, 2011 at 9:35PM
Singer Lady Gaga
Singer Lady Gaga performs on ABC's 'Good Morning America' in Central Park on Friday, May 27, 2011 in New York. (Stan Schmidt — Associated Press/The Minnesota Star Tribune)
(The Minnesota Star Tribune)

One of the many, many things about Lady Gaga that comes as no surprise anymore, the publicity-preying pop star sure can sell a lot of records. Her new album, "Born This Way," sold 1.1 million U.S. copies in its first week. According to Billboard, those are the biggest first-week album sales since 2005 -- which you know is a long time ago when you learn what the last disc was to debut that big: 50 Cent's "The Massacre." Gaga's is also only the 17th album ever to top 1 million sales since SoundScan began tracking data in 1991, and it's only the fifth by a female artist to do so (following Britney Spears, Whitney Houston, Norah Jones and Taylor Swift). These impressive numbers are something of a backslap to Minneapolis-based retailer Target, which lost out on the exclusive rights to Gaga's deluxe-edition of the CD following its controversial political donations to Minnesota candidates.

All the sales info might be the most exciting thing about the new Gaga album, which features some of the most vapid, bloated, formulaic and oftentimes just plain annoying music of her career. Or do you little monsters disagree? I admit, she was pretty entertaining alongside Justin Timberlake on "Saturday Night Live" last weekend, although her musical performances were the most ho-hum part of the show.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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