Like many aspiring artists, a young Jannis Kounellis had to leave his native Greece to pursue his creative dreams.
It was the early 1950s, and it wasn't until Kounellis set foot on Italian soil that his career actually began.
"His dad said, 'You know, if you want to be an artist, move,'" said exhibition curator Vincenzo de Bellis, who left the Walker in August for a new position at Art Basel in Europe, but returned to mount this show. "The first Western country from Greece was Italy, because at that time Yugoslavia and Bulgaria were all part of the Eastern bloc."
Now, more than 50 years later, de Bellis and the Walker Art Center present "Jannis Kounellis in Six Acts." It is the artist's second-ever U.S. museum exhibition and the first since his death in 2017.
Kounellis is best known as one of the major figures of the arte povera ("poor art") movement of the late 1960s and early 1970s in Italy, when artists began utilizing simple materials like wool, wood, burlap sacks, metal bed frames, rocks, sulfur and other materials that weren't brand-new.
"Body art, earth art, all of these are practices that sort of ask the question: 'What can art be made from?'" said Jane Blocker, professor of contemporary art and theory at the University of Minnesota, Twin Cities. "Arte povera is a similar set of questions, but is also something that is responding critically to what the Italians were seeing emerging from the U.S., and what they perceived to be America's focus on industrial materials."
Circular nature of time
The show covers six decades of work and is organized into six themes — language, journey, fragments, natural elements, musicality and reprise. Rather than thinking about the show chronologically, de Bellis considered ways that Kounellis cycled through and returned to these themes. All of the artworks are simply named "Untitled," and each work is associated with the exhibition it was shown in.