The late Jim Harrison wrote a poem some time ago called, "Weak winter sun," in which he said, "It is stupidly human to rush the season. The boy cleans up his trout equipment. Only two more months to the fishing opener and the dry flies and streamers are impatiently waiting."
The other morning, in the inflatable dome that rises like a mystery bubble in the heart of Stillwater, the sun itself was invisible. This was early, 7 a.m. or so, and inside the bubble along its outer margins, walkers and runners counted laps silently.
Bob Nasby, Mark Newman and Bill Hilton were not among these Fitbit buffs. Instead, encircled by them, the three men held fly rods in their hands and looped long lines from the middle of the bubble to its edges.
This was exercise, the casting, but also artistry, as the men imagined that instead of being surrounded by runners and walkers, they were afloat on the St. Croix in June, casting to smallmouth bass, or on Lake of the Woods in August, patrolling for muskies, or, more immediately, atop the endless aquamarine flats of the Bahamas, turtle grass undulating.
Otherwise productive members of society, these guys were born to fish, and more than that, born to cast. Put another way: In winter, they do not drill holes in lake ice and jig for unseen bluegills and sunnies.
Instead, invoking memories of long days passed on open water, and summoning also their imaginations, beginning with December's north winds and continuing even now, they cast and cast again.
"Try this one," Nasby said.
Nasby makes a living teaching casting, and all of his heroes are casters: Lefty Kreh, Steve Rajeff, Joan Wulff.