When Eddie Berger, a Twin Cities jazz saxophone mainstay, was growing up in Philadelphia, he was a clarinet player.
In his early years, he was partial to swing music, idolizing the likes of Benny Goodman. But after pioneering bebop saxophonist Charlie Parker arrived on the scene, Berger changed his allegiance and his instrument.
Berger moved to Minneapolis in 1959 and established it as a beachhead for bebop in the Upper Midwest. He died of lung disease Oct. 4 in Minneapolis. He was 76.
During the past 16 years, he had been ill with heart disease, emphysema and colon cancer. Still, he performed until a year ago. A respirator was a part of his stage equipment.
He was a towering jazz figure in the Twin Cities, said Phil Hey of Hopkins, a longtime drummer with Berger.
"He taught a whole lot of us around here about the style of Charlie Parker, how you get from note to note, how you put those ideas together, and about the rhythm," Hey said.
In the early 1950s, Berger served in the Army, playing in a military band in Hawaii. He landed in Minneapolis in 1959, tired of life on the road, touring the country. He established long-running showcases at William's Pub and the old Artists' Quarter.
"Ed was a great mentor to a lot of younger musicians, myself included," said Kenny Horst, a drummer who owns the Artists' Quarter club in St. Paul. "He was a sweet guy."