Alec Baldwin's 'Boss Baby' never grows into its potential

REVIEW: A promising premise loses its way amid a flood of distractions.

March 30, 2017 at 5:52PM
Tim (voiced by Miles Bakshi) and Boss Baby (Alec Baldwin) are siblings in “The Boss Baby.”
Tim (voiced by Miles Bakshi) and Boss Baby (Alec Baldwin) are siblings in “The Boss Baby.” (The Minnesota Star Tribune)

Babies, for all their cuteness, joyful squeals and wonderful-smelling heads, are basically jerks.

Even worse if you're a big brother or big sister, dislodged from the center of the universe by a tiny being who doesn't have the sense to stop peeing in his own bathwater.

"The Boss Baby" understands this well. And when it sticks to the core concept, the new entry from DreamWorks Animation is satisfying. But there are distracting side plots — and side plots to the side plots — that sabotage much of what's enjoyable about the movie. In infant care terms, this is a colicky film.

It must have sounded good on paper — having Alec Baldwin voice a baby, who upon his arrival is running the Templeton family like a company president. Director Tom McGrath wisely plays up Baldwin's "Glengarry Glen Ross" connection, with the fast-talking baby announcing that "Cookies are for closers."

Older brother Tim Templeton is the only one who can hear the baby talk, and they develop a sibling rivalry that amounts to a lot of Sylvester vs. Tweety Bird-style maneuvering. Each brother has a selfish agenda, trying to convince their oblivious parents (voiced by Lisa Kudrow and Jimmy Kimmel) that the other sibling needs to go.

With a strong director — DreamWorks MVP McGrath also co-directed the "Madagascar" movies and the underrated "Megamind" — and capable writing, this should have been a sure thing.

But the writers greatly complicate things with a war between infants and puppies, a secret new breed of dog and an unnecessary save-the-world plot. With each baby step away from the domestic story of the Templeton family and toward Puppy Co. and its evil CEO, "The Boss Baby" loses its way.

There are charming moments. The Templeton parents' blindness to Boss Baby's corporate attitude (''He carries a briefcase ... does anyone else think that's a little freaky?" Tim Templeton gripes) plays well to the director's skill with comic timing. Like McGrath's "Penguins of Madagascar," there's a movie's worth of humor to be mined from the ruthless capability of something so cute and cuddly.

And DreamWorks Animation is not lacking in resources. Hans Zimmer, arguably the greatest composer of movie music currently working, found time to finish the "Boss Baby" score between "Hidden Figures" and Christopher Nolan's World War II movie "Dunkirk."

But alas, we must detour to Puppy Co., an excuse to add cute animals and complicated motivations to the movie, while also sabotaging the pacing. The second half is one big heist and chase scene, piling on unnecessary tangents and struggling to find humor.

It doesn't help that there are strong similarities with Sony's equally disorganized yet superior 2016 film "Storks." Both films work off the same premise — that humans don't bear live young.

A screening of "The Boss Baby" is not the worst way to spend a Saturday afternoon. But make sure to pair it with a nature documentary, or renewal of your subscription to National Geographic.

about the writer

about the writer

Peter Hartlaub, San Francisco Chronicle

More from No Section

See More
FILE -- A rent deposit slot at an apartment complex in Tucker, Ga., on July 21, 2020. As an eviction crisis has seemed increasingly likely this summer, everyone in the housing market has made the same plea to Washington: Send money — lots of it — that would keep renters in their homes and landlords afloat. (Melissa Golden/The New York Times) ORG XMIT: XNYT58
Melissa Golden/The New York Times

It’s too soon to tell how much the immigration crackdown is to blame.