It's not the kind of exit actor Abdul Salaam El Razzac would have wanted.
A tall, magnetic performer who was in Penumbra Theatre's very first main stage show and has been a pillar of the storied acting company ever since, El Razzac was driving from California to Tucson on Christmas Day for the first day of rehearsal for "Two Trains Running," the August Wilson play that promised to reunite him with his Penumbra running buddies. Feeling short of breath, he called his wife and told her he was going to pull into a gas station and would ring her back.
He never did.
"They found him dead at the gas station," said his wife, Suzanne Deerly-Johnson. "He had a heart attack brought on by his COPD. It's unfathomable."
El Razzac was 74.
"It's still a shock to all of us," said Penumbra founder Lou Bellamy, who is directing "Two Trains" at the Arizona Theatre Company. "We were supposed to start rehearsal the next day. El Ra died coming to do what he most loved."
And that would be on stage, at St. Paul's Penumbra, where he acted in scores of shows, but also elsewhere in the country as he carried theater's jazz ethos that he helped define. El Razzac was a master of the August Wilson canon, playing street-wise philosopher figures. He knew the characters well, he told the Star Tribune in 2011, because Wilson wrote his plays with his Penumbra company in mind.
And the two men shared a purpose and mission. For El Razzac, as for Wilson, theater wasn't about escapist entertainment. It was a way of showing the majesty of ordinary people, especially African-Americans. "He had such dignity and strength, and he was black to the bust," said Bellamy.