Tremell Caldwell fidgeted like any 7-year-old kept indoors on one of the first gorgeous days of spring, tapping his feet impatiently on the floor, making funny faces and wiggling the cello between his knees. But when music teacher Patricia Morgan-Brist gave the command "Bows ready!" he laid his bow across the strings and got his left-hand fingers into note-playing position.
"This is my precious instrument," he said. "I like it because it's big and has the longest strings."
Caldwell is one of 18 first- and second-graders enrolled in El Sistema Minnesota, an after-school music program that just wrapped its second year at Nellie Stone Johnson Community School in north Minneapolis. The program uses lessons on how to play classical instruments like violins and cellos to teach children who live in low-income neighborhoods not only music, but also cooperation and study skills.
After just one year, students in the program tested as more empathetic and creative than their peers — and they are faster readers, too.
El Sistema was launched nearly 40 years ago in Venezuela on principles concerned as much with social justice and crime prevention as music.
"Poverty is not necessarily the lack of bread or roof," said its founder, economist and musician Jose Antonio Abreu, "but the feeling of being nobody."
The government-financed program today teaches more than 300,000 students a year with about 500 orchestras and other ensembles in its fold. Some students have gone on to professional music careers, most notably Gustavo Dudamel, the rock-star music director of the Los Angeles Philharmonic.
The concept has spread around the world. In the United States, more than 50 El Sistema-modeled programs have sprung up in the past several years.