When Julie Johnson composes a piece for a dance work, it always starts with long conversations about what the movement is going to look like and what the emotions are. Then she would go create one based on all the notes she took.
The flutist's new piece, "Touch Code: (Re) Claiming Space," is about recovery in the aftermath of assault and other forms of trauma and will be performed by dancers from Jagged Moves at the Southern Theater in Minneapolis. It is choreographed by Jennifer Glaws.
"It was a really cool experience," Johnson said of the project that incorporates dance, sculpture, video and her music. Six dancers perform in a sculptural world, navigating their responses to interruptions of their personal space. The movement highlights a push and pull of power, tension and release as dancers kinesthetically respond to one another and their environment.
Johnson is no stranger to interesting collaborations, having been a part of a number of interdisciplinary projects. Her contemporary sound defies category, weaving genres as diverse as contemporary classical, jazz and blues.
"I've always kind of been the weird flutist in the group or the weird musician in that I don't necessarily fit," she said. "I play classical, I play jazz. I play world music — but I sort of like not necessarily fit in a box with any of those categories."
Johnson hit her stride as a musician when she began discovering looping and effects pedals. "That's when I really feel like I was able to settle into the artist that I was kind of looking to be," she said. Playing with different types of musicians and using different styles helped me to cultivate her own voice style.
Having been awarded numerous grants from the likes of the Minnesota State Arts Board, the American Composers Forum and the Lanesboro Arts Center, she's a sought after music maker and player.
"She's just a brilliant performer," said choreographer Glaws. "When she enters the dance, her sound just makes the atmosphere so palpable."