These days, Polish jokes are as passé as communism. Ole & Lena yarns are whispered, or recounted at small gatherings, only among close friends. Even blonde jokes have been bottled up.
So how is it that a Jewish humor festival in St. Louis Park has enough content to be spread out over -- oy vey! -- 11 days?
"The fine Jewish comedians are storytellers who literally have something to say that everybody cares about," said Mark Bloom, who will perform satirical songs next week. "You take a look at the popularity of 'Seinfeld,' which is basically a Jewish humor monologue. It was called a show about nothing, but the characters' lives are displayed with all of their eccentricities, all the misplaced goals and ideals.
"They're just being who they are, and who they are is incredibly humorous."
Taking the personal and making it universal is a recurring theme at the first Minneapolis Jewish Humor Festival, in music, film, plays, comic monologues and workshops.
But the converse also holds true. "The greater part of Jewish humor is directed inward and is not really harsh against something else, just harsh inwardly," said local actor/playwright Ari Hoptman, who will perform "The Art of Shtick" on Sunday and "Dial 'M' for Comedy" on Tuesday.
Most Jewish humorists take it one step further, making light of themselves even more than their culture. "Self-deprecation, I think that's the key," said local actor/writer Amy Salloway, whose "So Kiss Me Already, Herschel Gertz!" chronicles experiences at the fictional Camp L'Cheim, "where even the mosquitoes wear yarmulkes."
Borscht Belt and beyond