Will Leonard, an illustrious Chicago Tribune nightlife critic, hated Mort Sahl when he performed at Chicago's famed Mister Kelly's nightclub in 1973. "Mort Sahl almost always is a surprise. Not always a pleasant surprise," the late Leonard wrote. "The man operates in an area all his own, zooming around just a little over your head, needling you with caustic remarks that make you nervous not only about your friends and enemies but about yourself as well."
Leonard went on to call Sahl "sardonic and sarcastic and destructive," as was Leonard's right as a critic. He did not say that Sahl should be banned henceforth from the stage of Mister Kelly's.
Leonard knew the importance of satiric speech in a free society. He wrote for a newspaper that long had celebrated Sahl's right to offend everybody in the joint.
Sahl died Oct. 26 after a highly influential life.
Smart satirists, and Sahl was the model for many of them, understand that they operate as safety valves, stabbing at the bulbous balloons of the powerful and thus doing their part for democracy. Their job is to remind us that the world is complex, that absolute power corrupts absolutely, and that everyone should be at least a little bit nervous about themselves.
It takes enormous courage to protect the rights of the Sahls of the world when you or your identity or what you believe is the target. But it's vital. History teaches us that the chilling of free speech is merely a way station on the road to the collapse of ever-fragile democracy. And satirical speech is often the first kind to be repressed.
We wish that the many critics of Dave Chappelle at Netflix had taken Leonard's tack instead of trying to get the streaming platform to cancel his hugely popular show or remove it from Netflix's offerings. The Chappelle comedy special that has caused so much uproar, "The Closer," is often funny, but incendiary comments like "gender is a fact" also might bring about a response not unlike the one Leonard had for Sahl. And the expression of outrage is every viewer's right.
Netflix is a commercial operation with shareholders but also, increasingly, an American town square. Its offerings should reflect multiple points of view, including contemporary manifestations of the Sahl brand of comedy, and its co-CEO, Ted Sarandos, is right to defend Chappelle's right to ridicule. Sarandos did not "screw up" in Chappelle's defense, as he later said to calm the firestorm. But we suspect he knows that.