Throughout the span of George Maher's career from the late 1800s to the 1920s, he was part of an enclave of well-known Prairie School-style architects, apprenticing at Silsbee and Kent in Chicago during the time Frank Lloyd Wright and George Grant Elmslie were draftsmen.
Maher went on to dream up famous estates for prominent families, including the Winton family. The lumber magnates commissioned the Chicago-based architect to design their 1910 Lowry Hill mansion on Mount Curve that Jim and Shahnaz Costa now live in, and which continues to be studied for its design.
"Like his Prairie School colleagues, he believed architectural form should follow function and American architects should strive to create a new vocabulary of forms," reads an excerpt from the Minneapolis Institute of Art's Lake of the Isles Tour brochure spotlighting nine architecturally significant Minneapolis homes.
"The Winton House, based on a house Maher designed for Charles and Helen Winton in Wausau [Wis.], reflects Maher's ideals of symmetry, mass, and centralization. Its overhanging eaves and low, horizontal roofline and entryway are typical Prairie-style features."
Prairie-style features
Like his contemporaries, Maher used Prairie-style characteristics such as horizontal lines, motifs and natural materials.
Maher preferred symmetry in his designs, prominent throughout the Costa home. The living room features bay windows on opposite ends of the room. Both the living room and primary bedroom suite have center fireplaces with two sets of double doors on either side that lead to four-season porches. Even sconces in an upstairs hallway are designed to hold two light bulbs – one facing up, another down – for symmetry.
Maher also incorporated unifying elements. In the case of the Mount Curve house, poppy flower motifs can be found in leaded windows and fixtures throughout. "The poppies [on the stained glass] turn blue or peach color depending on the time of day and how the sun hits it," Jim said. "It's a very complete home."