Sunlight streamed into Orchestra Hall's lobby, where I stood, right foot pressed against my thigh, arms stretched high and wide. Tree pose. My left leg shook a little. So I focused, instead, on the music.
This was no piped-in playlist. A harpist was gently plucking her grand instrument's strings just 10 feet in front of me.
The Minnesota Orchestra just began hosting yoga classes in its big, bright lobby, with musicians setting the mood. For the first class, on a Sunday morning in November, principal harp Kathy Kienzle, dressed in concert black, performed chill, ethereal tunes, including Debussy's classic "The Maid With the Flaxen Hair."
"I've never had a yoga class in my life," Kienzle admitted afterward.
She had asked a fellow harpist — who often performs at yoga classes — for tips. They weighed whether playing well-known pieces would be distracting or invigorating. In the end, Kienzle did a mix: "I used a lot of teaching pieces that have the right mood to them."
What worked: Attendees buzzed about the concept, chatting with one another as they rolled out their mats. We began by lying on those mats, which came with this warning: "Don't hit your head; the floor's really hard." The room was a tad cold, too.
But the sound was perfect: Throughout the class, the instructor, wearing a wireless microphone, could be heard clearly alongside the harp, never overpowering it.
Once the class picked up momentum, music and movement synchronized to create some beautiful moments. At one point, we rose into crescent lunge, swinging our arms back behind us into the "airplane" version of the pose. Meanwhile, Kienzle played a minimalist, meditative John Cage piece titled "In the Landscape." We reached our arms back farther, higher.