LOS ANGELES – When most on-screen operatives survive a perilous assignment, they celebrate by hoisting a few martinis while seducing the stranger at the end of the bar.
Eve Polastri binges on candy. The title character in "Killing Eve" has always played the spy game by her own rules, as have the rest of the participants in TV's friskiest cat-and-mouse game.
The show returns Sunday with our chocolate-popping heroine discovering that she came up short in an attempt to kill off wily assassin Villanelle. Now Polastri is the prey, a predicament that has her soaking in the bathtub for hours on end, forgetting to defrost a chicken for dinner and erupting in laughter when a stranger misreads her panicked state to assume she's a drug addict jonesing for a fix.
But is she freaking out because she's worried about Villanelle's revenge or because the whole incident is a turn-on? The way she pauses from frantically chopping vegetables to stroke the kitchen knife makes that question all the more delicious.
"I think we show how many of us are monsters, because the darker the humor gets, the more people get it and appreciate it," said Emerald Fennell, who replaces "Fleabag" creator Phoebe Waller-Bridge as the drama's head writer in its second season. "The macabre, strange things that happen happen to be funny. But there's never a sense of mugging. There's never a sense that this is a workplace comedy. The realness of it is what feels so appealing."
Departing from the James Bond playbook has paid off. The series, which just earned a field-leading 14 BAFTA nominations, saw ratings growth in key demographics every single episode of its first season, a feat that hasn't been matched in more than a decade.
Count Mindy Kaling among the show's die-hard fans.
"Besides the incredible performances and the scripts, it's a thriller that's very funny with two women as the stars," said the creator of "The Mindy Project" and Amazon's highly anticipated "Late Night" feature film. "I have not seen anything like that."