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The 4onthefloor takes it another step

The omnipresent quartet freshens up its classic sound with "Spirit of Minneapolis."

April 4, 2013 at 9:23PM
4OnTheFloor performs at the Sidebar during the South by Southwest music festival in Austin, Texas, March 14, 2013. © Tony Nelson
4onthefloor played South by Southwest in March, one of many gigs they didn’t turn down. (The Minnesota Star Tribune)

"There's too much music in the world / Nothing we haven't already heard."

Gabriel Douglas slow-moans that complaint in "Enough," the second song on the second full-length album by his Southern-styled roar-rock band the 4onthefloor — a band that Twin Cities music scenesters heard plenty of following its relatively fast ascent in 2011. Howler frontman Jordan Gatesmith's catty trash-talking of the 4otf crew last year likely had something to do with its overexposure locally. This is not a band that turns down many gigs. You know, the kind of band that loves what it does.

There's not a lot that hasn't been heard before on the new album, "Spirit of Minneapolis," but there's more than enough to still love. The band sticks to its nothing-fancy 4/4-time structure and snaky basement-boogie guitar riffs, but it reloads with stronger songwriting. Many of the tunes, including "Enough," sound compellingly weary and unsettled — probably from all the hard touring and rowdy lifestyle the quartet has enjoyed/endured since 2011. This is not a band that turns down a beer, either.

The best of these slow-burners is "Fear, Hope, Green or Me," a carry-on anthem with gospel-ish undertones. Local music lovers are also going to savor "Hard Rain," with Charlie Parr spreading his own heavy gospel touch as a guest vocalist. There are a few hard-throttling, punky fire-starters, too, including the lead-off track, "King of the Jungle." The trite "Toast to the Land of 10,000" is a little too Vikings-tailgate-party, but it's worth waiting through just to hear James Gould's guitar work in the closing track, "Engine No. 4 Reprise."

4otf hosted a live preview of the album for pre-order buyers Thursday at the Turf Club, and the release party is Saturday at First Avenue with the Evening Rig, Wishbook and Milwaukee kids Trapper Schoepp & the Shades (9 p.m., $10-$12).

RANDOM MIX

The first big neighborhood music bash of the season, the Memory Lanes Block Party will feature Davina & the Vagabonds, Lucy Michelle & the Velvet Lapelles, Sean Anonymous with Dream Crusher, Malamanya, L'Assassins and more May 25-26. … Bummer timing: Mudhoney will finally return to Minneapolis for a block party outside Grumpy's Downtown on July 20. That's the same day as the still-festering First Avenue Festival. … Rock the Garden's June 15 lineup will be announced April 16, followed two days later by the announcement of the July 12-13 Basilica Block Party. …

Low and a new-ish Low movie will be paired April 12 as part of the Minneapolis-St. Paul International Film Festival. Phil Harder's "Low Movie (How to Quit Smoking)" is screening at 6:30 p.m at St. Anthony Main Theater followed by a live gig a few doors down at the Aster Cafe. Get tickets at MSPFilmFest.org. … Brother Ali is in South Africa this weekend performing at the Cape Town Jazz Festival. …

A month after his return to First Ave for Bobby Z's big benefit, former Prince & the Revolution keyboardist Dr. Fink (a k a Matt Fink) is bringing his Purple Xperience tribute band to Neisen's Sports Bar in Savage on Friday with his son Matt's band, Q the Clique, opening (9 p.m., 4851 W. 123rd St.). … While it would have been nice to have it during the cold months, Icehouse kicks off a very welcome monthly kids-music bill Saturday with Adam Levy's Bunny Clogs (11 a.m., $10). The next booking is with the book-publishing band Clementown on May 11.

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chrisr@startribune.com • 612-673-4658 • Twitter: @ChrisRstrib

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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