SXSW: Truckers, Walkmen up close for IFC

Two of the best bands of the '00s kicked off the fest with a small-screen gig.

March 17, 2010 at 10:56PM
(The Minnesota Star Tribune)
The Drive By Truckers perform at the IFC Crossroads House at the South By Southwest music festival in Austin, Texas on March 17, 2010. ' Tony Nelson
(� Tony Nelson/The Minnesota Star Tribune)

How's this for a kick start to South by Southwest 2010: Not only were two of my personal favorite bands of the '00s first on my list of acts to see, the Walkmen and Drive-By Truckers, but by sheer luck and a bit of pestering I was the very first person in line to see them in the super-puny IFC Crossroads House studio (I was standing by the door negotiating with a PR rep when they told people to line up). Ah, if only the rest of the fest could be this easy.

Both bands played songs off their new albums, and nothing but. The Walkmen's set was pretty mellow and moody, but there was one ferocious howler a la "The Rat." It was intense enough for frontman Hamilton Leithauser to quip, "It's too early in the day for that kind of stuff" (this was just after noon).

The Truckers tore through half the songs on their just-released 10th album, "The Big To-Do," starting with Patterson Hood's throttling down-and-outer "This F---ing Job" and including Mike Cooley's sordid album highlight "Birthday Boy." The action only stopped for a not-so-slight muck-up that's the kind of thing bands do more toward the end of the fest:

"It helps if you plug these things in," Hood cracked as he corrected the problem.

Also: I haven't seen Solid Gold's billboard yet, but I ran into the band members on the street and they confirmed it's looming overhead near Stubb's. They plan to try to climb it at some point, "probably when we're drunk," Zach Coulter said. The band already had a late night playing a big kickoff party last night at the Parish (this thing gets started earlier and earlier).

(Photo by Tony Nelson)

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

See Moreicon

More from No Section

See More
FILE -- A rent deposit slot at an apartment complex in Tucker, Ga., on July 21, 2020. As an eviction crisis has seemed increasingly likely this summer, everyone in the housing market has made the same plea to Washington: Send money — lots of it — that would keep renters in their homes and landlords afloat. (Melissa Golden/The New York Times) ORG XMIT: XNYT58
Melissa Golden/The New York Times

It’s too soon to tell how much the immigration crackdown is to blame.