More than any other act, they gave hip-hop its social conscience -- the Bob Dylans of the rap world, if you will. They also had a big hand in rock fans taking rap music seriously. And they scared a lot of people.
When you remember all those facets of Chuck D and Public Enemy, it's no surprise that the pioneering New York rap troupe found no place for themselves in today's corporate-run, fluff-catering, mind-numbing mainstream hip-hop industry. It might come as a surprise, though, that these giants of rap looked to little old Minneapolis for some guidance on how to reinvent themselves.
"Honestly, Rhymesayers was one of the two main outfits we looked at in figuring out how to move forward," Chuck D said, with no prompting, about Minnesota's independent hip-hop mini-empire. "They set up a real good prototype for the rest of us and showed us how to do it."
That was just one of many bombs he dropped in a phone interview the day after Thanksgiving, when he started hyping the Hip-Hop Gods Tour coming to First Avenue on Thursday.
An all-star revue of sorts featuring Public Enemy and eight other rap acts that date back to the '80s -- including Monie Love, the X-Clan and Schoolly D -- Hip-Hop Gods is an extension of HipHopGods.Rapstation.com, one of several new websites that Chuck is involved in to give veteran hip-hop artists a platform to create and promote new music. Another of those sites, the distribution aggregator SpitDigital.com, is how PE released two new albums over the past four months.
These new-era platforms seem ironically timed to the other big news about Public Enemy: Chuck and his cronies are on the ballot for the Rock and Roll Hall of Fame, 25 years after the release of their debut album "Yo! Bum Rush the Show."
Even more than N.W.A. (also on the ballot), they seem like a shoo-in to be the fourth rap act to hit the hall, after Run-DMC, Grandmaster Flash & the Furious Five and the Beastie Boys, who were inducted by Chuck himself at last year's ceremony.
The rapper pointed to some of the hall's biggest names for what he said is "racist treatment of our legacies by the music industry." (Another bomb!)