You may be right. Billy Joel may be crazy. Or so it seems with his life and his concert Saturday night at Target Center.
Let us count the ways.
• He opened with the chords to "My Life," then segued into an instrumental version of "My Country Tis of Thee" (complete with red, white and blue lights) before returning to "My Life," which was more of a statement than an expression of attitude like in the old days.
• Was he feeling the pressure? He played the inaugural concert at Target Center in 1990, which he mentioned. By the time he got to "Pressure," his second song, he seemed like he was on Autopilot while his band was charging hard, trying to instill the franticness of the song, the lyrics and the crazy lights and blinking patterns on the giant video screens.
• Nah, he's just crazy. Because next he said, "thank you, Minneapolis" and dove into Prince's "1999" with Crystal Taliefero singing the lead vocals (Joel's voice isn't high enough anymore, he's more of a baritone).
• Joel has always been feisty, friendly and funny. And it took a little conversation to unveil all three qualities and get him to loosen up. He peered at himself on the Timberwolves scoreboard video screen and announced: "I look just like my dad. I didn't want to look like my dad. That's what happens." But it wasn't just self-deprecating humor. He used some throat spray that he said is called "The Entertainer's Secret." "I saw Madonna use it once," he said. "It didn't seem to help her much. She's an entertainer." He sprayed his throat and proclaimed: "I can dance a hell of a lot better now."
• A former boxer, Joel still loves sports. So he gave the fans a couple of "Fielder's Choices" — the option of choosing one song or another. When the nearly 20,000 fans favored "Downeaster Alexa" over "Summer Highland Falls" (which he said was about manic depression), he analyzed, "We're in the lakes. I didn't think you cared about saltwater stuff."
• Even though Joel saved "Piano Man," his breakthrough hit, until the last tune of the main set, he actually played the piano man all night, inserting snippets of other songs here and there. Somehow he sneaked a pinch of ZZ Top's "Tush" in the middle of "River of Dreams" and let a roadie named Chainsaw bellow AC/DC's "Highway to Hell" with Joel on guitar. The piano man even put on his harmonica rack and did a verse and chorus of Bob Dylan's "Like a Rolling Stone" as an introduction to his own "Piano Man."