Now, Now to debut on Death Cab-affiliated label soon, soon

The Minneapolis indie-pop trio's album for Chris Walla's Trans- Records comes out March 6.

January 17, 2012 at 8:37PM
(The Minnesota Star Tribune)
Twin Cities trio Now, Now, shown at South by Southwest last year, will return to the fest this year with its new album in tow. / Photo by Tony Nelson
Twin Cities trio Now, Now, shown at South by Southwest last year, will return to the fest this year with its new album in tow. / Photo by Tony Nelson (The Minnesota Star Tribune)

If it seems like cute, sweet Twin Cities indie-pop band Now, Now – formerly Now, Now Every Children – dropped off the local radar of late, that's because the trio has been busy elsewhere. The group signed a deal last year with Trans- Records, the new label run by Death Cab for Cutie guitarist and veteran producer Chris Walla. Then it went and traveled 1,800 miles to Vancouver to record with producer Howard Redekopp, who previously worked with Tegan and Sara, New Pornographers and the underrated An Horse.

All of this work abroad will finally come to a head around South by Southwest time in mid-March, when Trans- will release Now, Now's second full-length album, "Threads." The first single from the record, "School Friends," debuted online today and is posted below. Just before heading to SXSW, the band will play a hometown, all-ages release party at 7th Street Entry on March 13. After SXSW, it will hit the road for a monthlong trek opening for the Naked and the Famous.

Formed around 2008 while its members were still at Blaine High School, the trio -- singer/guitarists Cacie Dalager and Jess Abbott and drummer/keyboardist Brad Hale – previously released an EP and full-length album for local indie imprint Afternoon Records. It was that Afternoon album, "Cars," that reportedly caught the attention of Walla -- recommend by none other than fellow indie-rock vet John Vanderslice, according to the band. In the promo bundle for the new album, Dalager says, "We killed ourselves over 'Threads.' That sounds dramatic, but everything about it was excruciating in a good way."

Can't wait to feel the pain.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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