Setting out to make her first feature-length film, a documentary about abstract-landscape painters, Minnesota filmmaker Kristen Lowe knew what she was going for.
"I believe in brevity," Lowe said. "Too many art films are too long. I wanted it to be informative, intimate and — this is most important — entertaining."
Enter editor/producer Brian Forrest with the daffy old movie clips, illustrations and comic asides that punctuate the earnest chatter and philosophic musings in "Painting the Place Between," Lowe's 60-minute film that premieres Friday at the Fitzgerald Theater in St. Paul.
Ostensibly the movie is about four Minnesota artists, their self-doubts and aspirations, triumphs and setbacks, bad weather, great light, influences and all the other stuff that creatives mull over while watching the paint dry. But at heart "it just shows what you have to go through to have a lifelong career in painting," Lowe said.
The featured artists — Betsy Byers, Jil Evans, Holly Swift and Andrew Wycks — are longtime friends or colleagues of Lowe, an associate professor at Gustavus Adolphus College. Byers is an assistant professor at Gustavus. Evans previously taught at St. Olaf College. Swift has taught at various colleges for more than 25 years, and British-born Wycks is an associate professor at Hamline University.
Collaged lives
Lowe and Forrest sliced and diced 100 hours of interviews with the artists into a fast-paced collage with overlapping voices, an original soundtrack by Michael Legan and amusing counterpoint of found footage, home movies, drawings, cartoons, big-name artworks and excerpts of early black-and-white movies featuring such stars of yesteryear as Edward G. Robinson and Lillian Gish.
"I never did understand this art business," Gish sighs in befuddlement as she watches a painter at work. That clip appears after Swift recalls the sexism she experienced in art school and Evans talks about the utter indifference she met as a Stanford University student: "For the first year nobody said anything to me about my work."
Elsewhere the camera follows the artists as they roam the landscape, work late in the studio, scrape an errant line off a canvas and insist that there are ways to judge a good painting from a bad one, just as it's possible to tell the difference between two hamburgers.