It wasn't so surprising to read what the New York Times wrote about Marijuana Deathsquads two weeks ago, although there were some choice lines about Minneapolis' freak-bomb electro-punk troupe. Such as: "The songs predicted apocalypse; the drums, in a strategic barrage, enacted it."
No, the shocking part was that esteemed Times critic Jon Pareles even stooped to type out the words "Marijuana Deathsquads." A wackily named, oddly assembled and bizarrely executed group of Twin Cities indie all-stars, the Deathsquads seem to have crossed a line this year.
The improvisational group — featuring members of Poliça, local rap star Stef "P.O.S." Alexander and a night-to-night assemblage of guest collaborators — has evolved from a just-for-kicks project that its participants didn't even tell their moms about to one with a national publicist, a real website and, lo and behold, a New York Times press clip.
It's also now a band that tours. A core group of Deathsquads members returns this week from a monthlong U.S. trek opening for Poliça, culminating in two hometown shows with both acts Friday and Saturday at Mill City Nights (First Avenue was already booked).
"We're sort of using this tour to figure out how to be a real band," Deathsquads co-founder Isaac Gale said by phone last week from a Phoenix hotel room.
Talking on speaker phone alongside bandmates Drew Christopherson and Ben Ivascu — also the drumming duo from Poliça — Gale and the other Deathsquads seemed careful not to sound like they're suddenly Bon Jovi hoping to conquer the world.
" 'Because it's fun' is still a big reason why we're doing this," Christopherson said.
He, Gale, Alexander and producer/gadgets-wiz Ryan Olson all were bandmates in the (relatively) more conventional noise-punk band Building Better Bombs. When Alexander toured for long stretches as P.O.S. in the late '00s, though, the other guys "needed to figure out a way to still make music together," Gale remembered.