MINNEAPOLIS SCHOOLS
Respect the risk-takers
As a parent of a Minneapolis public schools first-grader, I was pleased to read Jan. 16 that the teachers' union voted to approve a measure that will allow school principals some say in hiring teachers, as opposed to needing to strictly adhere to teacher seniority. Our daughter's school, Whittier IB School, has implemented the "interview and select" process, and it works!
I was very proud to see that my daughter's teacher, Melissa Anderson, stood up and spoke up for the change allowing principals to "interview and select." It was reported that she was booed and hissed.
Thank you to Melissa for being a risk-taker and standing up to speak with integrity, knowing that there were teachers who did not agree with her. To those who booed and hissed: At Whittier IB School, there are 12 "attitudes" that the students are encouraged and expected to display. These include tolerance, integrity and respect. In addition, students are encouraged to be risk-takers. I hope that if a student in your classroom got up and spoke from their heart and with integrity, you would not permit the other students to boo and hiss them.
Above all, I am grateful that the students at Whittier have a role model like Melissa, and many other great teachers who live the attitudes that are being taught.
PATTY SCHMITZ, MINNEAPOLIS
CHAPLIN AT ORCHESTRA HALL
It was his score
We need to set a record straight. Critic Randy Beard recently reviewed the Minnesota Orchestra's performance of Charlie Chaplin's "City Lights" (Review, Jan. 17) and wrote that there were moments when the orchestra and film were out of sync, "as when the trombones onscreen started playing -- before the trombones onstage."
In fact, we played exactly what Charlie Chaplin -- who also composed the music -- wrote in his score: a full measure's rest when the onscreen band starts playing. I think Chaplin knew that audiences would hear the silent orchestra with their imagination before the real accompaniment began.
I'll be the first to admit no performance is ever perfect. But a musician can't go wrong following the composer's wishes, and that is exactly what our trombones did.