[Editor's note: This column ran in March before Willie postponed his shows. The first time.]
It was Willie Nelson's fault I missed my flight to Woodstock '99 and nearly blew my first big traveling assignment as a reporter. As the world's most famous pot-smoking, God-loving, bio-diesel-producing country singer finally makes his way back to the Twin Cities for two sold-out shows next weekend at Mystic Lake Casino -- he also has a highly anticipated T-Bone Burnett-produced album due next month -- I'm reminded of that day he nearly made me cry from duress. As opposed to the many times he has brought me to tears in good ways.
Willie, you see, doesn't operate like other big shots in the music biz. Instead of requiring an interviewer to call a publicist to call a manager to try to get him on the phone at a specific time, he simply takes his requests by fax (probably now e-mail) on his fabled tour bus. If and when he feels like it, he'll call up a reporter on the list.
I was on the to-call list quite a few times in the late '90s while working for Willie's hometown newspaper, the Austin American-Statesman. He called nearly every time, too. You just never knew when it'd be. Hence the Woodstock '99 debacle.
I thought it was my taxi to the airport when I picked up the phone, but instead, I heard that so-familiar-it's-comforting voice.
Telling Willie you don't have time to take his call is a little like telling Penélope Cruz you don't want to see her naked, at least in my book. It isn't just that he's one of the greatest living musicians and an American icon and all that. He's the king of cool-headedness, the most laid-back, easygoing guy you'll ever meet. You'd have to be a real ninny to tell him you're busy.
By the time Willie said "thanks" to end the interview -- that's right, he thanked me -- my taxi came and went, and my flight was pulling away when I finally got to the gate.
Thus came the first of many lessons I've learned as a "WWWD" devotee (that's "What Would Willie Do," actually a great song by Bruce Robison).