Lenore Engdahl learned to play the piano in the 1920s from her mother in their northeast Minneapolis home, and went on to be a well-regarded concert pianist and a lifelong teacher.
The daughter of Swedish immigrants, Engdahl played Carnegie Hall, recorded solo albums for MGM Records, played Liszt's "Hungarian Fantasy" with the then-Minneapolis Symphony in 1956, taught at the Boston University School of Music until 1983 and gave private lessons into her 90s.
"Some people might just sit down and play a piece but she really delved into the composer and what he wanted to say, and tried to interpret it," said her daughter, Kris Sessa.
Engdahl died June 19 in her home near Boston. She was 100 years old.
Engdahl took lessons from her mother, Augusta, as a little girl. Her mother would put on her coat and leave the house through the back door, walk around to the front door, ring the doorbell and insist her daughter answer the door and address her as Mrs. Engdahl for the lesson. Afterward, she would leave through the front door, walk back around and enter through the back door and resume her role as mother, said Brad Engdahl, Lenore's nephew.
If she had to run to the bathroom while she was practicing, Lenore Engdahl used to ask her mother to hold down the key on the piano that she had just played until she returned.
Engdahl's father Walfrid — a cerebral man who loved the opera and classical music — was a carpenter who'd left Sweden after being blacklisted for being a labor radical.
Engdahl studied at the MacPhail Center for Music in Minneapolis before she met Countess Helena Morsztyn, a traveling Polish concert pianist who spent several summers in Minneapolis in the 1920s and 1930s, setting up shop on Lyndale Avenue South to give lessons. Many young Minnesotans studied the piano with her.