It was an unseasonably cool evening last August at St. Paul's recently reopened Palace Theatre, and California hip-hop rocker Beck had just ripped through a string of high-energy deep cuts to kick off his first Minnesota concert in nine years.
But you would never know it by the torpid audience in the balcony, whose rear ends remained firmly attached to the venue's burnt-orange seat cushions.
As he launched into the funky bilingual banger "Qué Onda Guero," the artist gestured to the sedentary bodies on the second floor and issued an unusual — and quite frankly embarrassing — recommendation.
"You can get out of your seat!"
Pockets of people scattered around the upper deck seized the opportunity to get up and move, but far more remained seated. As City Pages' Erik Thompson noted in his review of the show, it wasn't until much later in the 100-minute set, naturally during Beck's most recognizable hit, "Loser," that the bulk of the crowd finally found its feet.
I wish I could say this was an anomaly. In the 25 years I've been seeing live music, I can't recall ever going to a rock show in which a huge percentage of attendees chose to sit through the whole performance.
That is, until I moved to Minnesota a few years ago. It seems like every time I see a rock band in one of the Twin Cities' lovely historic theaters — from Sigur Rós to Robert Plant and even Wilco — sitting down in the balcony (and sometimes on the floor) is the norm.
When discussing the strangeness of this local idiosyncrasy, I've heard anecdotes from other standers who say they've been on the receiving end of jeers from fellow fans and complaints to security. One woman on Twitter said her friend who dared to stand at an Xcel Energy Center concert was grabbed by a man seated behind her. This is no way for a civilized people to behave. Just because a chair is provided doesn't mean you have to use it. If someone in front of you stands, like a normal music fan, there's nothing to stop you from doing the same.