We have a pretty terrific system in America: Careers are open to talent. I'm not saying it's a pure meritocracy, but compared with other countries and cultures, we completely rock.
Who your parents were, how you grew up, even where you went to school (unless it was Yale, of course) … all these factors are secondary to whether or not you can deliver the goods.
Getting through the interview, though, is another story.
At last count, there were just over 4 million books published on the subject of interviewing for jobs. They tell you how to dress for success, how to sell yourself and how to answer all the tricky questions. Most important, they give you the confidence that only comes with having read a book or two. There's nothing like it.
My grandmother, bless her soul, used to say, "Never raise a child by the book until your child is old enough to read the same book."
And therein lies the rub. Assuming you and whoever conducts the interview are using the same script, it's akin to Hollywood magic. But what if the interviewer didn't study his or her lines? What if that person read — gulp — a different book?
Let's skip the obvious rules of engagement for a minute. I'm sure you don't need me to warn you about discussing money, politics or your personal history with alien abductions on the first date. Where people have the most difficulty is with the Fred Astaire-Ginger Rogers thing, the dynamic that defines whether you're dancing forward or backward.
Starting with basics, who is the buyer and who the seller in your scenario? If you're out of work, you may very well be stuck in the seller role. Put on your tap shoes. If you've been recruited to this interview, then maybe you're the buyer. And, then again, maybe not.