HIP-HOP
It's just a good coincidence that the unofficial reopening party for First Avenue happens to be the summer-closeout blowout by Grrrl Prty. The rowdy, raucous and just sometimes raunchy five-woman crew — rappers Lizzo, Sophia Eris and Manchita with DJ Shannon Blowtorch and hypester Quinn Wilson — have been saving up momentum and making big plans for the show. They just dropped the new Bionik-produced single "Grrrl Anthem" timed to it and have a bevy of guests lined up, including Bionik, Caroline Smith, Mina Moore, Aby Wolf and BdotCroc. (9 p.m. Fri., First Avenue, $10-$12.) Chris Riemenschneider
POP/ROCK
Sad news but extra reason to catch the latest tour by X: Los Angeles' most revered punk band is touring without its sturdy and impeccable guitarist Billy Zoom, who is fighting bladder cancer. His bandmates are raising money and awareness for his GoFundMe website on the road with an admirable and adventurous choice of a fill-in player, Jesse Dayton, a mainstay of the Austin, Texas, scene who also played with Waylon Jennings and should emphasize X's twangy underbelly. Meanwhile, co-leaders Exene Cervenka and John Doe still have a burning chemistry unlike few other duetting ex-couples. Rootsy L.A. band Dead Rock West opens. (9 p.m. Sat., Mill City Nights, $20-$25.) Riemenschneider
Folky Swedish singer/songwriter Kristian Matsson, who records as the Tallest Man on Earth, is touring with a full backing band for the first time in his heretofore all-acoustic/solo career, and the members of the group all hail from Minnesota and Wisconsin. That's because he recorded his latest album, "Dark Bird Is Home," far away from home at Justin Vernon's studio near Eau Claire using some of Vernon's Bon Iver bandmates. Largely inspired by divorce, the new songs nonetheless proved uplifting in concert at the Eaux Claires fest last month. Read an interview with Matsson from the fest at startribune.com/variety/music. (9 p.m. Sat., First Avenue, $30.) Riemenschneider
Norwegian experimental singer-songwriter Jenny Hval is a provocateur who arrays conundrums, absurdities and dirty secrets about sexuality, religion, gender and politics into musical performance art. Despite the challenges, her material is both amiable and alluring — she operates in a musical and philosophical zone between the pixie-dust of Björk and the hardscrabble of PJ Harvey while clearly being influenced by both. Her new, third CD, "Apocalypse, girl," fronted by the brilliant video for "That Battle Is Over," is one of the year's best. Promising newcomer Briana Marela opens. (7:30 Tue., 7th St. Entry, $10.) Britt Robson
Ever proud of their heritage and history, Asleep at the Wheel recently released "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys," their third tribute to the Western swing pioneer. It's a nifty album, thanks to bandleader Ray Benson's unrelenting dedication and a cavalcade of first-rate guests including Merle Haggard, George Strait, Lyle Lovett, the Avett Brothers, Elizabeth Cook and Jamey Johnson. Don't be surprised if this disc earns the Wheel its ninth Grammy. (7 & 9 p.m. Thu. Dakota, $30-$45.) Jon Bream
Partying at the zoo is old hat by now for Robert Randolph and the Family Band, but the electrifying pedal steel guitarist is never at a loss for lengthy solos parlayed from melodic anthems. It might be "Amped Up" or "Brand New Wayo," off their most recent disc, "Lickety Split," or an old chestnut from Slim Harpo or Elmore James, or a more contemporary cover from Jimi Hendrix or Bobby McFerrin. Randolph and his crew galvanize them all in the golden bliss of sacred steel music. (7 p.m. Thu., Minnesota Zoo, $39-$51.50.) Robson
Ever since he recorded some of his bloody-faced 2001 debut album "I Get Wet" in Minneapolis with producer John Fields, classically trained hard-rock party man Andrew W.K. has kept up appearances in the Twin Cities when he's not busy blowing things up on TV or writing an advice column for the Village Voice. He's stopping in again on a solo tour, which could prove as weirdly successful as most everything else unusual that he does. His local spirit animal Mark Mallman opens. (8:30 p.m. Thu., Triple Rock, $30.) Riemenschneider
In five years, George Lewis Jr., aka Twin Shadow, has moved from being produced and supported by Grizzly Bear's Chris Taylor on his Terrible Records debut, "Forget," to the hip indie label 4AD for his follow-up, "Confess," to his current Warner Bros. release, "Eclipse." The epic ascension has been the result of bald ambition, a reliance on late '80s musical bombast, and plenty of charisma. A harrowing tour bus accident sidelined him for most of the summer, but if you know his melodramatic songs you know it will take more than that to stop Twin Shadow. (7 p.m. Thu., Varsity, $20-$25.) Robson