ROCK/POP
Eau Claire's hometown Grammy winner Justin Vernon already played First Ave once this year with a band not named Bon Iver (his Shouting Matches rocked the house in August). He seems even more serious about impressing us with his other other band, Volcano Choir. Offering less falsetto and more up-tempo tunes than Bon Iver, the band started as a collaboration with members of experimental Milwaukee group Collection of Colonies of Bees and turned into more of a full-time, full-volume affair with last month's riveting sophomore album, "Repave." They enlisted an ex-Sconnie boy, Mark Mallman, to play a solo opening set. (9 p.m. Fri., First Avenue, sold out.) Chris Riemenschneider
Dave Mason has a Rock Hall of Fame résumé: guitarist with Traffic, solo artist with the hits "We Just Disagree" and "Feelin' Alright," and hired gun with Jimi Hendrix, the Rolling Stones, George Harrison, Paul McCartney, Fleetwood Mac and many others. At the Minnesota Zoo in 2011, Mason demonstrated a strong voice and an expressive guitar. His trio is working in an acoustic format on this tour. (8 p.m. Fri.-Sat., Dakota Jazz Club, $45.) Jon Bream
Further proof Soul Asylum has firmly embraced its status as a '90s retro band: Dave Pirner's remade lineup follows up this summer's outing with Big Head Todd and Matthew Sweet by heading up a fall tour featuring two other Clinton-era acts who were way better than one-hit status. Fountains of Wayne actually had their big hit in 2003, "Stacy's Mom," but sealed their reputation as power-pop craftsmen in their first two late-'90s records. The Lemonheads' Evan Dando has had his ups and downs but still remarkably looks and sounds the same as in 1993, the year his band opened the Minnesota boys' "Grave Dancers Union" tour. Not a bad year to relive. (8 p.m. Sat., First Avenue, $30.) Riemenschneider
With a 25th-anniversary box set reissue of their landmark "Fisherman's Blues" album out Tuesday, the Waterboys are making their first U.S. tour in six years. Frontman Mike Scott and fiddler Steve Wickham have a different lineup of their sweet-lament folk-rock band working stateside than the European lineup, which boasted some of the "Fisherman's"-era players who made Celtic folk part of the alt-rock world. Still, expect to hear plenty off that album, along with unsung Scott classics. Fellow Scotsman Freddie Stevenson opens. (8 p.m. Sat., Fitzgerald Theater, $34-$39.) Riemenschneider
Unlike that other '90s indie-rock boy/girl duo made of ex-spouses, Quasi is still at it and still unmistakably having a great time. The band features eccentric but gifted frontman Sam Coomes along with former Sleater-Kinney drummer Janet Weiss, seen in recent years with White Flag and Stephen Malkmus' Jicks. Their new album, "Mole City," charmingly harks back to Malkmus' old band Pavement. Daniel Johnston-like New York folkie Jeffrey Lewis opens. (8:30 p.m. Sun., 7th Street Entry, $15.) Riemenschneider
Is the teaming of Aimee Mann and Ted Leo at the Dakota a dress rehearsal for their appearance on MPR's "Wits" in December? With her penetrating songs about vivid characters and droll wit (have you seen her on "Portlandia"?), Mann's 2012 album, "Charmer," was a return to engaging alt-pop after several years of exploring more downbeat themes. Leo, a veteran of the New York punk scene, has won many fans with his band, the Pharmacists, but he'll be working solo here. (7 p.m. Sun.-Mon. Dakota, $40-$60.) Bream
The 1975 doesn't sound like any of the other famous bands from Manchester, England (Joy Division, Buzzcocks, Stone Roses), and in fact doesn't sound very British at all. The newcomer quartet falls more in line with Las Vegas bands such as the Killers and Imagine Dragons with its slick, anthemic, New Wave-y rock sound, as heard in the PG-rated single "Sex." Still, the Brits love these kids, as evidenced by their self-titled debut shooting to No. 1 on the U.K. chart last month over Nine Inch Nails. (8:30 p.m. Mon., Varsity Theater, $15-$18.) Riemenschneider
Sometimes Janelle Monáe seems too ambitious for her own good. For her second full-length, "The Electric Lady," she has delivered another concept album that sounds like some far-out sci-fi movie. Even though the much-respected Atlanta multi-talent gets assists from Prince, Esperanza Spalding, Miguel, Solange and Erykah Badu, the album seems less sonically adventurous than her stunning 2010 debut, "The ArchAndroid," and wallows at times in 1970s mellowness. But "Electric Lady" is still captivating. (7 p.m. Tue., Skyway Theatre, $23.50.) Bream