Alabama Shakes' local debut finally set Aug. 2 at First Ave

The "Hold On" soul-rockers are one of the most lauded new bands of the year.

April 24, 2012 at 6:00PM
(The Minnesota Star Tribune)
Brittany Howard and Alabama Shakes raised the roof at Stubb's BBQ in Austin, Texas, for last month's NPR showcase at SXSW. / Photo by Tony Nelson
Brittany Howard and Alabama Shakes raised the roof at Stubb's BBQ in Austin, Texas, for last month's NPR showcase at SXSW. / Photo by Tony Nelson (The Minnesota Star Tribune)

One of rock's most lauded new acts of the year -- and certainly the best one I saw at last month's South by Southwest Music Conference -- the Alabama Shakes will finally make their Minnesota debut Aug. 2 at First Avenue. Tickets go on sale Friday at noon for $21.50 through eTix.com and First Ave outlets.

The young, scrappy-looking but polished soul-rock quintet -- which really is from Alabama -- has been in steady rotation at 89.3 the Current for several months with the uplifting single, "Hold On." Its full-length debut, "Boys & Girls," only just dropped a couple weeks ago, and it has yet to perform here on tour. They're playing here on their way to Chicago for Lollapalooza. This is one buzz band that's definitely ready for the First Ave main room from the get-go. They rocked the comparably sized Stubb's BBQ amphitheater in Austin to the tilt during SXSW. Seeing them live not only demonstrated the thick, deep-down grooves heard on the record, but the live set especially emphasized the compelling charisma of frontwoman Brittany Howard, who hardly looks like rock-star material but bowled over the crowd with her preacher-like fervor.

Consider this a sermon: You don't want to miss this gig.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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