Withering Glance gets off on Broadway

May 24, 2013 at 7:34PM
This theater publicity image released by Lincoln Center Theater shows Nathan Lane in "The Nance," performing at the Lyceum Theatre in New York.
This theater publicity image released by Lincoln Center Theater shows Nathan Lane in "The Nance," performing at the Lyceum Theatre in New York. (Associated Press - Ap/The Minnesota Star Tribune)

Rick Nelson and Claude Peck dispense unasked-for advice about clothing, etiquette, culture, relationships, grooming and more.

CP: Of course, Glance had to see "The Nance." The new play on Broadway, that is, starring Nathan Lane as effeminate 1930s burlesque-house comic Chauncey Miles. I liked it better than you, but then you are sooo critical.

RN: Liked, didn't love. But I adored Mr. Lane, throwing himself into a role that fit him like a bespoke suit. The memory of his character's nelly catchphrase, "Hi, simply hi!" — accompanied by a tinkling bell — is my favorite souvenir of the trip.

CP: Lane was terrific at merging Chauncey's self-confidence and self-loathing. Think he'll snag his third Tony?

RN: Doubtful. The critics of the New York Times left him out of their "should win/will win" Tony prognostications.

CP: I dunno. Lane's still considered a favorite. But fellow nominee Tracy Letts, who won the Drama Desk prize, did make a memorable Georgie-pie in "Virginia Woolf." His browbeaten college professor had enough boiling rage that he almost could have stood up to Liz Taylor.

RN: That's saying something. I love the lavish production values that are New York theater standards. "The Nance" had that amazing rotating set, and a live orchestra. Meanwhile, at the Chekhov-Lite "Nikolai and the Others," estimating the big-bucks costume budget for the 18-member cast was the only thing keeping me awake.

CP: True, but I also saw "Buyer & Cellar," starring Michael Urie, at tiny Rattlestick in the Village. The set consisted of the onetime "Ugly Betty" star — and a chair. Let's hope this hilarious, strangely wonderful one-man show shows up here before long.

RN: I wish I'd seen that and not "Nikolai," partly because I hear Urie does a great Streisand.

CP: Unforgettable. I think it's because he's so low-key in his impersonation of the star and author of "My Passion for Design."

RN: There goes my question regarding any over-the-top "Don't Rain on My Parade" references.

CP: Seriously, could New York theater get any gayer? Between the above-mentioned, and Alan Cumming in "Macbeth," and the recently closed but Tony-nominated Colm Toibin play ("Testament of Mary"), what else is new, I suppose.

RN: You — along with probably every heterosexual male in America — clearly have not been watching the car crash that is "Smash," NBC's ode to the Broadway musical. It has replaced the phrase "gayer than a tree full of parrots" with "gayer than an episode of 'Smash' " as the saying du jour. The series finale airs Sunday.

CP: Time to fire up both TVs at once, then. "Behind the Candelabra," HBO's can't-look-away, Michael Douglas-as-Liberace biopic, also airs Sunday night.

RN: Total must-see TV, baby.

E-mail: witheringglance@startribune.com

Twitter: @claudepeck and @RickNelsonStrib

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