Veterans tackle poetry on HBO

Jeffrey Wright talks about a project using art to help PTSD.

November 16, 2018 at 1:30PM
Jeffrey Wright works with war veterans in the HBO documentary "We Are Not Done Yet."
photo: Courtesy of HBO.
Jeffrey Wright works with war veterans in the HBO documentary “We Are Not Done Yet.” (The Minnesota Star Tribune)

Jeffrey Wright, star of the HBO series "Westworld," has had an acting career that spans decades, including Emmy, Tony and Golden Globe victories for the stage and TV versions of "Angels in America."

Lesser known is his career as activist, with a particular interest in what's called "resource-related" conflicts, notably in Sierra Leone and more recently in veterans' affairs. He produced and appears in HBO's "We Are Not Done Yet," a short film about 10 veterans struggling with PTSD who create a poetry performance in which they fuse their pain to words.

Led by poet Seema Reza, the project culminates in a staging at Lansburgh Theatre in Wright's hometown of Washington, D.C. It's a moving, raw film about trauma, and the power of art to heal.

Q: How did all this come together?

A: I had been doing a reading with a group called Theater of War. It uses Greek tragedy as a platform for conversations around PTSD in the military community. I read the role of Sophocles' Ajax, and the idea is that this is the story of a warrior who comes home and has this psychotic episode, and that the Greeks had given thought to this, and were shining a light on the impact of the experience of war. We did one of these readings down in D.C., and afterward a representative for the Department of Defense asked if there was more I might be able to do.

Q: This is obviously emotional for you, too.

A: Just weeks before I had been in Colorado, coming home from a ski trip with my kids, and was at this small rural airport. There was a gentleman there in a wheelchair, an African-American triple amputee, with medals and decorations across his chest, waiting for his plane to arrive. He said he had been hit by a mortar shell in Afghanistan, and that when he was in Walter Reed [National Military Medical Center], folks from my line of work had come by now and then, and I thought, "Good for them, but what am I going to do with my time and how could I reach out, too?" A couple months later, I was introduced to Seema Reza.

Q: Why does art — in this instance, the spoken word — have such enormous therapeutic power?

A: Story is the way we organize our inner selves, and story as a collective, some argue, is where our consciousness lies. It's where we take account of ourselves and our communities, our past and our present, and where we begin to consider our futures. It's a necessary process — stories, the written word, and stories that we perform. I also think there's a cynicism now in our society that story and performance are these kinds of indulgences, or superficial exercises what many artists do through their work is examine their experiences, their inner lives and examine the world outside, and try to reconcile those things.

It's helped these veterans express things that existed within them and that's led to some validation, forgiveness and toward necessary healing.

Q: You've been involved with charitable causes for many years, and it seemed briefly — or maybe more than briefly — that they took precedence over acting. That still true?

A: For a period of time, that definitely was my primary professional focus, less so now, and I had to circle back to my day job.

Q: Ah, and speaking of that day job, when will "Westworld" be back?

A: (Laughs.) We will be back on the air soon! Or as soon as we finish filming it, and that's all I'll say because we haven't even started yet.


about the writer

about the writer

Verne Gay, Newsday

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