Arts panel made up of Trump appointees approves his White House ballroom proposal

WASHINGTON — The U.S. Commission of Fine Arts, a panel made up of President Donald Trump's appointees, on Thursday approved his proposal to build a ballroom larger than the White House itself where the East Wing once stood.

The seven-member panel is one of two federal agencies that must approve Trump's plans for the ballroom. The National Capital Planning Commission, which has jurisdiction over construction and major renovation to government buildings in the region, is also reviewing the project.

Members of the fine arts commission originally had been scheduled to discuss and vote on the design concept after a follow-up presentation by the architect, and had planned to vote on final approval at next month's meeting. But after the vote to approve the design, the panel's chairman, Rodney Mims Cook Jr., unexpectedly made another motion to vote on final approval.

Five of the seven commissioners — all appointed by the Republican president in January — voted once more in favor. Commissioner James McCrery did not participate in the discussion or the votes because he was the initial architect on the project before Trump replaced him. Commissioner Roger Kimball left the meeting early for another commitment, the panel's secretary said.

The ballroom will be built on the site of the former East Wing, which Trump had demolished in October with little public notice. That drew an outcry from some lawmakers, historians and preservationists who argued that the president should not have taken that step until the two federal agencies and Congress had reviewed and approved the project, and the public had a chance to provide comment.

The 90,000-square-foot (8,361 square meters) ballroom would be nearly twice the size of the White House, which is 55,000-square-feet (5,110 square meters), and Trump has said it would accommodate about 1,000 people. The East Room, the largest room in the White House, can fit just over 200 people at most.

Commissioners offered mostly complimentary comments before the votes.

''Our sitting president has actually designed a very beautiful structure and, as was said, in the comments earlier, the United States just should not be entertaining the world in tents,'' Cook said.

The panel received mainly negative comments from the public

Members of the public were asked to submit written comment by a Wednesday afternoon deadline. Thomas Luebke, the panel's secretary, said ''over 99%'' of the more than 2,000 messages it received in the past week from around the country were in opposition to the project.

Luebke tried to summarize the comments for the commissioners.

Some comments cited concerns about Trump's decision to unilaterally tear down the East Wing, as well as the lack of transparency about who is paying for the ballroom or how contracts were awarded, Luebke said. Comments in support referenced concerns for the U.S. image on the world stage and the need for a larger entertaining space at the White House.

The commission met Thursday over Zoom and heard from Shalom Baranes, the lead architect, and Rick Parisi, the landscape architect. Both described a series of images and sketches of the ballroom and the grounds as they would appear after the project is completed.

Trump has said the ballroom would cost about $400 million and be paid for with private donations. To date, the White House has only released an incomplete list of donors.

A lawsuit against the project is still pending

The National Trust for Historic Preservation has sued in federal court to halt construction. A ruling in the case is pending.

Carol Quillen, president and CEO of the privately funded nonprofit organization, said the group was ''puzzled'' by both votes because the final plans had not been presented or reviewed. But with the votes, she said the commission had ''bypassed its obligation to provide serious design review and consider the views of the American people,'' including all of the negative public comments.

At the commission's January meeting, some members had questioned Baranes, Trump's architect, about the ''immense'' design and scale of the project even as they broadly endorsed Trump's vision.

On Thursday, Cook and other commissioners complimented Baranes for updating the building's design to remove a large pediment, a triangular structure above the south portico, that they had objected to because of its size.

''I think taking the pediment off the south side was a really good move,'' said commissioner Mary Anne Carter, who also is head of the National Endowment for the Arts. ''I think that really helps to restore some balance and make it look, just more aligned'' with the White House.

Baranes said it was the biggest design change and that Trump had ''agreed to do that.''

Trump quietly named his final two commissioners to the panel in late January. Pamela Hughes Patenaude has a background in housing policy and disaster recovery, and was as a deputy secretary at the Department of Housing and Urban Development in Trump's first term. Chamberlain Harris is a special assistant to the president and deputy director of Oval Office operations.

At that meeting, the White House defended tearing down the East Wing, saying that preserving it was not an option due to structural issues, past decay and other concerns. Josh Fisher, director of the White House Office of Administration, cited an unstable colonnade, water leakage, mold contamination and other problems.

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